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"My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture."
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Personal Development
"Altman works in such an interesting way, letting things occur in the film even if he didn't particularly plan them."
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Personal Development
"We are the only state that does not have a State Film Corporation there to support the commercial industry."
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Personal Development
"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."
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Personal Development
"To make a documentary is one thing, to make a feature film is quite another."
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Personal Development
"I like the smell of film. I just like knowing there's film going through the camera."
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Personal Development
"Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee."
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Personal Development
"I am never driven. Every film I've made has been an assignment."
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Personal Development
"I met Milos in 1967. I was working on a student film. And there is Milos Forman. So that's how I met Milos."
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Personal Development
"Daffy, of course, wants to go on the journey with him but the studio decides they want Daffy back, so Bugs and a young studio executive heroine have to go out and try to bring him back."
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Personal Development
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"You can learn as much about the history from reading about the present as you can vice versa, that is learning about the present through history, which is what I do for a living."
History
"You know, you meet some people, and do a lot of interviews, and you come across a Buck O'Neill and you know you are going to know him for the rest of your life. The same thing happened with Curt Flood."
Life
"Like a layer on a pearl, you can't specifically identify the irritant, the moment of the irritant, but at the end of the day, you know you have a pearl."
Identity
"History is malleable. A new cache of diaries can shed new light, and archeological evidence can challenge our popular assumptions."
History
"I think my expectations for myself are much more severe and much more direct. You can't work on a film for six years without being your own toughest critic. So you can't really be distracted by the expectations based on your previous performance."
Work
"The way I work, the interview never becomes larger than the person being interviewed."
Work
"One of the things I really like about Ford's films is how there is always a focus on the way characters live, and not just the male heroes."
Focus
"I read cover to cover every jazz publication that I could and in the New York Times, every single day reading their jazz reviews even though I didn't put them in the films. I wanted to know what is going on."
Lifestyle
"I treat the photograph as a work of great complexity in which you can find drama. Add to that a careful composition of landscapes, live photography, the right music and interviews with people, and it becomes a style."
Music
"I grew up certain for a while that I was going to be an anthropologist, until film turned my head."
Film
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