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"Do you know why I believe in the novel? It's a democratic shout. Anybody can write a great novel, one great novel, almost any amateur off the street. I believe this, George. Some nameless drudge, some desperado with barely a nurtured dream can sit down and find his voice and luck out and do it. Something so angelic it makes your jaw hang open. The spray of talent, the spray of ideas. One thing unlike another, one voice unlike the next. Ambiguities, contradictions, whispers, hints. And this is what you want to destroy."
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"The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong."
"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."
"The things you were talking about. The lights and the flowers. Do they expect those things to make them romantic, not the other way around? "Darling, what do you mean? "There wasn't a person there who enjoyed it," she said, her voice lifeless, "or who thought or felt anything at all. They moved about, and they said the same dull things they say anywhere. I suppose they thought the lights would make it brilliant."Darling, you take everything too seriously. One is not supposed to be intellectual at a ball. One is simply supposed to be gay." How? By being stupid?"
"A prose that is altogether alive demands something of the reader that the ordinary novel reader is not prepared to give."
"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."
"Real life, life finally uncovered and clarified, the only life in consequence lived to the full, is literature. Life in this sense dwells within all ordinary people as much as the artist. But they do not see it because they are not trying to shed light on it."
"There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be."
"You forget everything. The hours slip by. You travel in your chair through centuries you seem seem to see before you, your thoughts are caught up in the story, dallying with the details or following the course of the plot, you enter into characters, so that it seems as if it were your own heart beating beneath their costumes."
"The irrational in the human has something about it altogether repulsive and terrible, as we see in the maniac, the miser, the drunkard or the ape."
"I want the difficult stories, the ones that aren't easy to believe, the twisted ones, the sorrowful ones, the ones that need telling most of all."
Explore more quotes by Don DeLillo
"Writers in repressive societies are considered dangerous. That's why so many of them are in jail."
"When I read obituaries I always note the age of the deceased. Automatically I relate this figure to my own age. Four years to go, I think. Nine more years. Two years and I'm dead. The power of numbers is never more evident than when we use them to speculate on the time of our dying."
"How I would enjoy being told the novel is dead. How liberating to work in the margins, outside a central perception. You are the ghoul of literature."
"I slept for four years. I didn't study much of anything. I majored in something called communication arts."
"We feel a private thrill, admit it, at the sight of beauty in flames. We wish to blast all the fine old things to oblivion and replace them with tasteless identicalstructures."
"I'm completely aware of Matisse and what he said, that painters must begin by cutting out their tongues."
"I think more than writers, the major influences on me have been European movies, jazz, and Abstract Expressionism."
"Steffie took my hand and we walked past the fruit bins, an area that extended about forty-five yards along one wall. The bins were arranged diagonally and backed my mirrors that people accidentally punched when reaching for fruit in upper rows."
"I'd never felt more human than I did when my mother lay in bed, dying. This was not the frailty of a man who is said to be 'only human,' subject to a weakness or a vulnerability. This was a wave of sadness and loss that made me understand that I was a man expanded by grief."
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