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"Any fool can kill. It takes genius to create."
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"What makes people tick? Life can be a trap of ennui, but imagery may be a redemptive escape from dullness. The iconic power and exuberance of images generate an inexorable addiction that needs to be gratified without respite. Here and now! ['Give me more images']"

"The monotony and solitude of a quiet life stimulates the creative mind."

"For me poetry is an evasion of the real job of writing prose."

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness."

"At eight, he had once told his mother that he wanted to paint air."

"My brain has become my enemy. We fight over creation and his need for sleep."

"Creativity is the residue of time wasted."

"The great poet Hafiz says that you should dye your prayer-carpet with wine if your teacher tells you to do so."

"I do not attachany exaggerated importance to my poetical works. Life isthere to be lived rather than to be written about. My aimis to search out the manifold experience that it offers,wringing from each moment what of emotion it presents.I look upon my writing as a graceful accomplishmentwhich does not absorb but rather adds pleasure toexistence. And as for posterity-damn posterity."

"I have spent a good many years since-too many, I think-being ashamed about what I write. I think I was forty before I realized that almost every writer of fiction or poetry who has ever published a line has been accused by someone of wasting his or her God-given talent. If you write (or paint or dance or sculpt or sing, I suppose), someone will try to make you feel lousy about it, that's all."
Explore more quotes by Rachel Caine

"Amelie said, "I won't be your servant in Morganville. Nor should you be mine. Equals. She offered her hand to him, and he looked down at it, clearly taken aback. But he took it. "Now defend what is ours, my partner. He grinned, grinned! and whirled to meet Myrnin in midleap as Myrnin attacked."

"I think so, she [Claire] said. "Just watch your back, okay? "Nah, Michael's got mine. He [Shane] looked straight into her eyes."I've got yours."

"A rap at the back door made her jump, and she peered through the window for a long time before she eased open the door a crack. She left the security chain on. 'What do you want, Richard?'Richard Morrell's police cruiser was parked in the drive. He hadn't flashed any lights or howled any sirens, so she supposed it wasn't an emergency, exactly. But she knew him well enough to know he didn't pay social visits, at least not to the Glass House.'Good question,' Richard said. 'I guess I want a nice girl who can cook, likes action movies, and looks good in short skirts. But I'll settle for you taking the chain off the door and letting me in."

"Claire was struggling through last summer's diary volume when Myrnin popped in through the portal, wearing a big floppy black hat and a kind of crazy/stylish pimp coat that covered him from neck to ankles, black leather gloves, and a black and silver walking stick with a dragon's head on it. And, on his lapel was a button that said, If you can read this, thank a teacher."

"He dunked his tea bag and watched the results critically. "I really must get a new supplier. This tea is pathetic. America just doesn't understand tea at all."

"It's been happening since I was in kindergarten. Not them all the time, but other kids, you know. Every day. It never stops, and it never goes away, thanks to the Internet--it just keeps happening every minute, every day. And I just want it to stop. I think about how to do it, you know. How to kill them. All kinds of elaborate things, like trapping them in pits and burying them alive, or covering them with concrete."

"I am sorry my decisions do not meet with your approval, but nevertheless, they are mine, and the consequences are also mine."

"Welcome to Morganville.You'll never want to leave.And even if you do...well, you can't. Sorry about that."

"I never meant it," he was saying. "Never meant it to happen. Can't stand it,seeing her suffer. Must do something, do something... What do I do? What can I do...?"
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