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John Hench

"Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure. I had great satisfaction in doing that."

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"Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure. I had great satisfaction in doing that."

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Amber Hurdle

"Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter."

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Amber Hurdle

"I'll never forget the fall colors on the Berkshires."

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Amber Hurdle

"And as he spoke of understanding, I looked up and saw the rainbow leap with flames of many colors over me."

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Amber Hurdle

"The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it."

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Amber Hurdle

"You look rather rash my dear your colors don't quite match your face."

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Amber Hurdle

"The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'"

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Amber Hurdle

"I've got no respect for any young man who won't join the colors."

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Amber Hurdle

"But what is of great importance to me is observation of the movement of colors."

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Amber Hurdle

"In this movement of colors I find the essence, which does not arise from a system, or an a priori theory."

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Amber Hurdle

"The makeup is simply an extension of the personality and colors, clothing, makeup all express something."

Explore more quotes by John Hench

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John Hench
"The show is being changed right now, by the way. Jeff Burke is doing it for the Magic Kingdom. And I think it will be better, with new birds, master of ceremonies, etc."
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John Hench
"This music that was supposed to only come from tapes like in any restaurant. Something would happened. One bird will start to do a little jazz thing, and another bird will start to answer."
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John Hench
"I thought that it would be easier to learn that if I worked in motion pictures. So I went to work with one motion picture producer who was developing a color system. This didn't do to me much good. All I did was pick filters for the camera."
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John Hench
"Big cities are chaotic. And chaos for humans - who have experience from their ancestors - is the last step before conflict. So, in the park, every kind of visual contradiction has been eliminated."
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John Hench
"Walt had a marvelous intuition. And because he understood people very well, liked them and had great respect for people, there was nothing cynical about Walt."
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John Hench
"I suppose that I was a kind of consultant for taste. Is it good taste? Or bad taste? I had an attention to detail, to what would tell best the story. Because many people get excited about the work and drift off from the story."
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John Hench
"Then, you were supposed to discover the city, where they were. But because somebody like skeletons. And that they discovered that they were at a cheap price, we used too many skeletons all over the place, and the public got the wrong message."
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John Hench
"We've achieved this feeling, for instance, with the colors. The colors in the park are harmonious with each other, not like in big cities where they don't."
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John Hench
"Walt put everything he knew about communication with images into the park, so it was very familiar."
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John Hench
"The park achieved a kind of reality. Like these virtual reality games the children are playing with. I told them we were doing this 40 years ago! Disneyland is virtual reality."
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