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Anne Dudley

"It's really the sound of the voices, the sound of the words, the sound of the sound that we're interested in."

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"It's really the sound of the voices, the sound of the words, the sound of the sound that we're interested in."

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Akiroq Brost

"And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with the smallest unit."

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Akiroq Brost

"I mean this record does not sound like somebody's maiden voyage."

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Akiroq Brost

"As soon as I hear a sound, it always suggests a mood to me."

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Akiroq Brost

"I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie."

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Akiroq Brost

"My sound is very smooth. Not to be to cliche, but really sensual and sultry."

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Akiroq Brost

"I'm better for it and I prefer to keep things simple and see what sounds I can get out of my head and hands rather than relying on a sound that someone else created."

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Akiroq Brost

"Sound.Noisethe air employs.Melodies sweet.Tweet, tweet, tweet.Soft. Loud.A roaring crowd.Cluck. Caw. Crow.Tet, tet. Tis, tis.Guttural growl.Harrowing howl.Drip, drip, drip.Tap, tap, tap.Moan and groan.Endless drone.Ding, dang, dong.A church bell song.Vibrations in my earto hear.Sound."

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Akiroq Brost

"I use my hands like a sculptor, to mold and shape the sound I want, to clarify."

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Akiroq Brost

"It couldn't sound like a dog, because K9 isn't a dog, but I made it sound as mechanical as possible."

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Akiroq Brost

"In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm."

Explore more quotes by Anne Dudley

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Anne Dudley
"Obviously in Art of Noise, I'm just part of the group, and when I do film scores, it's always in collaboration with the director and other people involved."
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Anne Dudley
"Usually one or two things happen: Either you have an idea straightaway - the sort of sound that you want or the instrumentation or one particular sound that you want to feature - or you don't."
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Anne Dudley
"My favorite work is The Full Monty because I got an Oscar for it. But it was really hard work at the time. Sometimes comedy is not a bundle of laughs to actually do."
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Anne Dudley
"I think that music has an endless life."
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Anne Dudley
"I always think it's important to choose your initial theme very carefully because you're going to be married to it for a long time. You might have to generate an hour's worth of music from a very short, little piece of theme."
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Anne Dudley
"Composers are always going back to the past."
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Anne Dudley
"Film scores are often based on short themes, and it helps if you've got some way of developing these themes and making them sometimes last 4 minutes and sometimes last 40 seconds. One ends up doing it subconsciously."
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Anne Dudley
"We all shared an admiration of Debussy both as a musician and as sort of an icon for the 20th century. It seemed like an interesting idea to go right back 100 years to find the source of some new ideas now."
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Anne Dudley
"I wanted to make a classical piece that was actually designed to be a CD, not designed for performance."
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Anne Dudley
"You know, nobody eats in England. Three or four pints of English beer a night fills you. I can't say I'm very impressed with the food in America. it's all sort of bland. Like turkey sandwiches."
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