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Toni Morrison

"At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough."

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"At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough."

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Amber Hurdle

"If you cannot be open-minded, then you do not possess your ideas, your ideas possess you."

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Amber Hurdle

"At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough."

Explore more quotes by Toni Morrison

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Toni Morrison
"The best hiding place was love. Thus the conversion from pristine sadism to fabricated hatred, to fraudulent love."
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Toni Morrison
"Grownups don't pay it much attention because they can't imagine anything more majestic to a child than their own selves and so confused dependance for reverence."
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Toni Morrison
"I can't tell you why I was in love with her. People didn't require that much as they do now. Folks were expected to be civilized to one another, honest, and - and clear. You relied on people being what they said they were, because there was no other way to survive."
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Toni Morrison
"She stopped then and turned her face toward him and the hateful wind."
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Toni Morrison
"Not knowing it was hard, knowing it was harder."
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Toni Morrison
"Outside, snow solidified itself into graceful forms. The peace of winter stars seemed permanent."
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Toni Morrison
"Language, when it finally comes, has the vigor of a felon pardoned after twenty-one years on hold. Sudden, raw, stripped to its underwear."
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Toni Morrison
"Apparently he thought he deserved only to be loved--from a distance, though--and given what he wanted. And in return he would be . . . what? Pleasant? Generous? Maybe all he was really saying was: I am not responsible for your pain; share your happiness with me but not your unhappiness."
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Toni Morrison
"You know, the kind who know Jesus by His first name, but out of politeness never use it even to His face."
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Toni Morrison
"In a way, her strangeness, her naivete, her craving for the other half of her equation was the consequence of idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings; had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like any artist with no art from, she became dangerous."
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