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Robert Rauschenberg

"One can see that a canvas is six feet by eight feet, say, quite accurately. But you can spend two minutes and think it's five, or thirty seconds and it's just a different bed for activities there."

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"One can see that a canvas is six feet by eight feet, say, quite accurately. But you can spend two minutes and think it's five, or thirty seconds and it's just a different bed for activities there."

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Amber Hurdle

"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."

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Amber Hurdle

"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."

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Amber Hurdle

"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."

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Amber Hurdle

"Let music ignite your vivid inner colors and bring you harmony inside and out."

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Amber Hurdle

"I have always noticed that in portraits of really great writers the mouth is always firmly closed."

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Amber Hurdle

"A work of art has no importance whatever to society. It is only important to the individual."

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Amber Hurdle

"Rules and models destroy genius and art."

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Amber Hurdle

"The effort of art is to keep what is interesting in existence, to recreate it in the eternal."

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Robert Rauschenberg
"But I found a lot of artists at the Cedar Bar were difficult for me to talk to."
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"I don't think any one person, whether artist or not, has been given permission by anyone to put the responsibility of the way things are on anyone else."
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Robert Rauschenberg
"A newspaper that you're not reading can be used for anything; and the same people didn't think it was immoral to wrap their garbage in newspaper."
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Robert Rauschenberg
"I got so I was really just sick of sculpture."
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Robert Rauschenberg
"If you don't have trouble paying the rent, you have trouble doing something else; one needs just a certain amount of trouble."
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Robert Rauschenberg
"But I was in awe of the painters; I mean I was new in New York, and I thought the painting that was going on here was just unbelievable."
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Robert Rauschenberg
"I think a painting is more like the real world if it's made out the real world."
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Robert Rauschenberg
"And I think that even today, New York still has more of this unexpected quality around every corner than any place else. It's something quite extraordinary."
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Robert Rauschenberg
"So that ideas of sort of relaxed symmetry have been something for years that I have been concerned with because I think that symmetry is a neutral shape as opposed to a form of design."
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Robert Rauschenberg
"Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it."
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