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"Never make a promise - you may have to keep it."
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"Promise and pie-crust are made to be broken."

"A promise is a gift and a gift is a symbol of a social relationship. The donor is aware that it creates a link and the recipient identifies it as a mutual bond. A gift, however, is tangible and a promise is not. Eventually, a promise can be expounded as misunderstood, or misheard or it is simply over and done. If misheard, the social bond is to be put into question. If forgotten, it can be reminded but this is embarrassing. If elapsed, it is one of those broken promises that infest countless relationships. ['Promised me a breeze of freedom']"

"I'll get them out and come back. I promise.""On your word as a cutthroat and a pirate?"He touched my cheek once, briefly. "Privateer."Another explosion rocked the grounds."Let's go!" shouted Mal.As we sprinted into the tunnel, I glanced back and saw Nikolai silhouetted against the purple twilight. I wondered if I'd ever see him again."

"This Congress has promised all manner of border security and port security to the tune of billions of dollars... yet we have - to date - funded our promises for port security at only $900 million. That's quite a distance between what we say and what we actually do."

"Commitment is a promise to a cause. Being non-committal is a promise to catastrophe."
Explore more quotes by Neil Jordan

"In Dreams... well, I was slightly overcompensating with that. I was a bit like a director for hire, so maybe I was putting too much imagery that was familiar to me into it."

"It's nice to work with Hollywood because there is never any question of resources put at your disposal to make a film as long as it is the right thing to do."

"For me now, it's about what you would write and what you wouldn't write, and that's how I select what I am going to do. It can be quite nice being brought a concept by a studio for me to work on."

"It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated."

"The most difficult thing is the organization of people and the expression of your intentions. It's very easy to have a picture in your head and to imagine that you've told everybody about what you need."

"Why should a horror film be just a horror film? To me, The Company of Wolves is a fairy tale; it's got all those elements plus a lot more. And we know that fairy tales aren't innocent any more."

"I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like."

"When you've written a movie, you then get together with a whole lot of people and make it. In many ways, I think it is far nicer to be with people rather than being completely solitary."

"The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?"

"But everyone gets burnt, don't they? Certain things are outside of your control. I suppose the only thing you can learn as a director is to not put yourself into situations where it can get outside of your control. And that's what happened."
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