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"The heart of the matter seems to me to be the direct interaction between one's making a poem in English and a poem in the language that one understands and values. I don't see how you can do it otherwise."
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"I'll give you my opinion of the human race in a nutshell... their heart's in the right place, but their head is a thoroughly inefficient organ."

"The mind defines, decides, doubts and divides - only the heart truly binds."

"The coward wretch whose hand and heart Can bear to torture aught below, Is ever first to quail and start From the slightest pain or equal foe."
Explore more quotes by Robert Fitzgerald

"I would then go on to say that Homer, as we now know, was working in what they call an oral tradition."

"Well, with the French language, which I understood and spoke, however imperfectly, and read in great quantities, at certain times, the matter I suppose was slightly different from either Latin or Greek."

"In a way you can feel that the poet actually is looking over your shoulder, and you say to yourself, now, how would this go for him? Would this do or not?"

"Words began to appear in English and to make some kind of equivalent. For what satisfaction it is hard to say, except that something seems unusually piercing, living, handsome, in another language, and since English is yours, you wish it to be there too."

"Well, maybe so, although I don't think I am particularly gifted in languages. In fact, oddly enough, it may have something to do with my being slow at languages."

"Is encouragement what the poet needs? Open question. Maybe he needs discouragement. In fact, quite a few of them need more discouragement, the most discouragement possible."

"In fact, eloquence in English will inevitably make use of the Latin element in our vocabulary."

"I think it was lucky that during most of the work on the Odyssey I lived on Homer's sea in houses that were, in one case, shaken by the impact of the Mediterranean winter storms on the rocks below."

"Now, the language that had grown up and formed itself on those principles is what one is dealing with, and the problem is to bring a work of art in that medium into another medium formed on different principles and heard and understood in a different way."

"One should indeed read Pope with his notes available, in the Twickenham edition possibly, to see what a vast amount he did understand about Homer."
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