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Marilyn Hacker

"We sometimes received - and I would read - 200 manuscripts a week. Some of them were wonderful, some were terrible; most were mediocre. It was like the gifts of the good and bad fairies."

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"We sometimes received - and I would read - 200 manuscripts a week. Some of them were wonderful, some were terrible; most were mediocre. It was like the gifts of the good and bad fairies."

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Amber Hurdle

"For a writer it's a genuinely interesting and hopefully profitable era that makes a variety of books available to a variety of readers, extending both what's available and who gets to read it."

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Amber Hurdle

"I have no problem in moving a date one way or another or coming up with a subplot that gets my characters in (or out) of a fix more rambunctiously than the extant records show."

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Amber Hurdle

"Scotland consistently produces world-class writers."

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Amber Hurdle

"A writer writesregardless...even though...notwithstanding...despite...at any rate...anyhow...nevertheless...in the face of...undeterred by...heedless of...and because.The true writer simply continues to write."

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Amber Hurdle

"Write at a pace that doesn't surpass your creative flow. Don't be hasty; don't be sloppy. Don't forfeit impressive writing for an impressive word count. Because eventually it will all have to be edited, and you'll find that it is harder to make bad writing good than to make good writing better."

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Amber Hurdle

"What I've learned about writing is that sometimes less is more, while often more is grander. And both are true."

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Amber Hurdle

"If you read something, what you have written you ain't gonna like it...- It sounds horrible... so write don't read your own stuff."

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Amber Hurdle

"Actually, I enjoy the process of writing a big long novel."

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Amber Hurdle

"Write a page a day. It will add up."

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Amber Hurdle

"I write short, my words tight to the thread of the narrative."

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Marilyn Hacker
"The ambiguities of language, both in terms of vocabulary and syntax, are fascinating: how important connotation is, what is lost and what is gained in the linguistic transition."

Language

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Marilyn Hacker
"I don't know whether a poem has be there to help to develop something. I think it's there for itself, for what the reader finds in it."

Help

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Marilyn Hacker
"You are almost not free, if you are teaching a group of graduate students, to become friends with one of them. I don't mean anything erotically charged, just a friendship."

Friendship

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Marilyn Hacker
"Translation is an interestingly different way to be involved both with poetry and with the language that I've found myself living in much of the time. I think the two feed each other."

Poetry

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Marilyn Hacker
"I have experienced healing through other writers' poetry, but there's no way I can sit down to write in the hope a poem will have healing potential. If I do, I'll write a bad poem."

Poetry

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Marilyn Hacker
"I started to send my work to journals when I was 26, which was just a question of when I got the courage up. They were mostly journals I had been reading for the previous six or seven years."

Reading

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Marilyn Hacker
"I think there is something about coming to a city to work that puts you in touch with it in a different way."

Work

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Marilyn Hacker
"My mother was told she couldn't go to medical school because she was a woman and a Jew. So she became a teacher in the New York City public school system."

Medical

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Marilyn Hacker
"Of the individual poems, some are more lyric and some are more descriptive or narrative. Each poem is fixed in a moment. All those moments written or read together take on the movement and architecture of a narrative."

Architecture

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Marilyn Hacker
"Perhaps first and foremost is the challenge of taking what I find as a reader and making it into a poem that, primarily, has to be a plausible poem in English."

Challenge

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