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"We sometimes received - and I would read - 200 manuscripts a week. Some of them were wonderful, some were terrible; most were mediocre. It was like the gifts of the good and bad fairies."
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"For a writer it's a genuinely interesting and hopefully profitable era that makes a variety of books available to a variety of readers, extending both what's available and who gets to read it."
Author Name
Personal Development

"I have no problem in moving a date one way or another or coming up with a subplot that gets my characters in (or out) of a fix more rambunctiously than the extant records show."
Author Name
Personal Development

"Scotland consistently produces world-class writers."
Author Name
Personal Development

"A writer writesregardless...even though...notwithstanding...despite...at any rate...anyhow...nevertheless...in the face of...undeterred by...heedless of...and because.The true writer simply continues to write."
Author Name
Personal Development

"Write at a pace that doesn't surpass your creative flow. Don't be hasty; don't be sloppy. Don't forfeit impressive writing for an impressive word count. Because eventually it will all have to be edited, and you'll find that it is harder to make bad writing good than to make good writing better."
Author Name
Personal Development

"What I've learned about writing is that sometimes less is more, while often more is grander. And both are true."
Author Name
Personal Development

"If you read something, what you have written you ain't gonna like it...- It sounds horrible... so write don't read your own stuff."
Author Name
Personal Development

"Actually, I enjoy the process of writing a big long novel."
Author Name
Personal Development

"Write a page a day. It will add up."
Author Name
Personal Development

"I write short, my words tight to the thread of the narrative."
Author Name
Personal Development
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"The ambiguities of language, both in terms of vocabulary and syntax, are fascinating: how important connotation is, what is lost and what is gained in the linguistic transition."
Language

"I don't know whether a poem has be there to help to develop something. I think it's there for itself, for what the reader finds in it."
Help

"You are almost not free, if you are teaching a group of graduate students, to become friends with one of them. I don't mean anything erotically charged, just a friendship."
Friendship

"Translation is an interestingly different way to be involved both with poetry and with the language that I've found myself living in much of the time. I think the two feed each other."
Poetry

"I have experienced healing through other writers' poetry, but there's no way I can sit down to write in the hope a poem will have healing potential. If I do, I'll write a bad poem."
Poetry

"I started to send my work to journals when I was 26, which was just a question of when I got the courage up. They were mostly journals I had been reading for the previous six or seven years."
Reading

"I think there is something about coming to a city to work that puts you in touch with it in a different way."
Work

"My mother was told she couldn't go to medical school because she was a woman and a Jew. So she became a teacher in the New York City public school system."
Medical

"Of the individual poems, some are more lyric and some are more descriptive or narrative. Each poem is fixed in a moment. All those moments written or read together take on the movement and architecture of a narrative."
Architecture

"Perhaps first and foremost is the challenge of taking what I find as a reader and making it into a poem that, primarily, has to be a plausible poem in English."
Challenge
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