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"When I read obituaries I always note the age of the deceased. Automatically I relate this figure to my own age. Four years to go, I think. Nine more years. Two years and I'm dead. The power of numbers is never more evident than when we use them to speculate on the time of our dying."
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"The fact that you have just buried your parent or parents and/or sibling or siblings does not make you less likely to die today."

"Silver's sweet and gold's our mother, but once you're dead they're worth less than that last shit you take as you lie dying."

"I think Bonzo died. I dreamed about it last night. I remembered the way he looked after I jammed his face with my head. I think I must have pushed his nose back into his brain. The blood was coming out of his eyes. I think he was dead right then."

"You don't need a sad soul to feel the beauty of a dead graveJust stay with the pale moonwhen darkness wants the night to be brave."

"To die is different from what anyone supposed, and luckier."

"Tombstones covered the dale, the smooth marble surfaces bright. She had spent days here as a teenager, though not out of any awareness of mortality. Like every adolescent, she intended to live forever."

"When we're all gone at last then there'll be nobody here but death and his days will be numbered too. He'll be out in the road there with nothing to do and nobody to do it to. He'll say: where did everybody go? And that's how it will be. What's wrong with that?"
Explore more quotes by Don DeLillo

"No sense of the irony of human experience, that we are the highest form of life on earth, and yet ineffably sad because we know what no other animal knows, that we must die."

"A photograph is a universe of dots. The grain, the halide, the little silver things clumped in the emulsion. Once you get inside a dot, you gain access to hidden information, you slide into the smallest event. This is what technology does. It peels back the shadows and redeems the dazed and rumbling past. It makes reality come true."

"I'd never felt more human than I did when my mother lay in bed, dying. This was not the frailty of a man who is said to be 'only human,' subject to a weakness or a vulnerability. This was a wave of sadness and loss that made me understand that I was a man expanded by grief."

"Why shouldn't his death bring you into some total scandal of garment-rending grief? Why should you accommodate his death? Or surrender to it in thin-lipped tasteful bereavement? Why give him up if you can walk along the hall and find a way to place him within reach?Sink lower, she thought. Let it bring you down. Go where it takes you."

"If you could stretch a given minute, what would you find between its unstuck components? Probably some kind of astral madness. A bleak comprehension of the final size of things."

"All plots tend to move deathward. This is the nature of plots. Political plots, terrorist plots, lovers' plots, narrative plots, plots that are part of children's games. We edge nearer death every time we plot. It is like a contract that all must sign, the plotters as well as those who are the targets of the plot."
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