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"I think no more than a week after I started writing I ran into the first block. It's hard to describe it in a way that will be understandable to anyone who is not a neurotic. I will try. All my life I have been haunted by the obsession that to desire a thing or to love a thing intensely is to place yourself in a vulnerable position, to be a possible, if not a probable, loser of what you most want. Let's leave it like that. That block has always been there and always will be, and my chance of getting, or achieving, anything that I long for will always be gravely reduced by the interminable existence of that block."
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"It seems my heart is made of tissue paper, I wish the world would handle it more delicately."

"I enabled your tendency to be vulnerable and weak, and your habits of crying when 6,000 others were present for the music."

"I fear I have praised you too much too soon. Will I lose you in your shame of believing that you can never be what I think you are?"

"I feel bare. I didn't realize I wore my secrets as armor until they were gone and now everyone sees me as I really am."

"A little smoke lost in the air, that was the life of a man."

"Risk is uncertainty injected into our most vulnerable places. And because that's the case, we may choose not to risk."

"Everyone has their folding-point, Miles. Their mortal vulnerability. Some just keep it in a nonstandard location."

"Unfortunately, fact checking has become a lost art."

"Tenderhearted people are silent sufferers they just learn the art to fly with broken wings."
Explore more quotes by Tennessee Williams


"The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart."


"Has it ever struck you that life is all memory, except for the one present moment that goes by you so quick you hardly catch it going?"


"To begin with, I turn back time. I reverse it to that quaint period, the thirties, when the huge middle class of America was matriculating in a school for the blind. Their eyes had failed them, or they had failed their eyes, and so they were having their fingers pressed forcibly down on the fiery Braille alphabet of a dissolving economy."


"These are the intensities that one cannot live with, that he has to outgrow if he wants to survive. But who can help grieving for them? If the blood vessels could hold them, how much better to keep those early loves with us?"


"Memory takes a lot of poetic licence. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart. The interior is therefore rather dim and poetic."


"You said, 'They're harmless dreamers and they're loved by the people.' 'What,' I asked you, 'is harmless about a dreamer, and what,' I asked you, 'is harmless about the love of the people? Revolution only needs good dreamers who remember their dreams."
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