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"The hardened mass of liquid stones had much stronger qualities than those which had simply torn. The skin remained a recognisable part of the molten stone."
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"Always seek beauty to create a beautiful life."
"For a poet he threw a very accurate milk bottle."
"I'm trying in all my stories to get the feeling of the actual life across-not to just depict life-or criticize it-but to actually make it alive. So that when you have read something by me you actually experience the thing. You can't do this without putting in the bad and the ugly as well as what is beautiful. Because if it is all beautiful you can't believe in it. Things aren't that way."
"Make movies my friend " make nice, inspiring and bold movies that will penetrate the darkest corners of the human mind and illuminate the soul."
"My poems are only bits of scratchingon the floor of acage."
"A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart."
"For poetry was all written before time was, and whenever we are so finely organized that we can penetrate into that region where the air is music, we hear those primal warblings and attempt to write them down, but we lose ever and anon a word or a verse and substitute something of our own, and thus miswrite the poem. The men of more delicate ear write down these cadences more faithfully, and these transcripts, though imperfect, become the songs of the nations."
"Some writers closet themselves - I write wherever I am because that's where life is happening ..."
Explore more quotes by Andy Goldsworthy
"Winter makes a bridge between one year and another and, in this case, one century and the next."
"I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames."
"The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it."
"Three or four stones in one firing will all react differently. I try to achieve a balance between those that haven't progressed enough and those about to go too far."
"As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone."
"The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience."
"I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another."
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