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Neil Jordan

"It is extremely difficult to get movies that cost more than $40 million to be made these days."

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"It is extremely difficult to get movies that cost more than $40 million to be made these days."

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Charlotte Eriksson

"I remember when first, Stripes, and then Animal House came out - which I was really proud of, even though it was kind of loose and quite raucous - there were imitative movies that were not quite as good."

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Charlotte Eriksson

"I make movies I want to see."

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Personal Development

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Charlotte Eriksson

"The reason I took Early Edition - besides the fact that I liked it - was that it enabled me to start a production company in New York City. It's a low-budget film company to produce and direct movies."

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Personal Development

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Charlotte Eriksson

"Well, Company of Wolves was about that literally, about fairy tales."

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Personal Development

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Charlotte Eriksson

"We grew up as kids watching those movies and we were exposed to themes of civil rights, unfairness, bigotry and fathers struggling against the kind of mob of the town, so you remember how you felt as a kid being taken seriously, that you are part of the human drama."

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Personal Development

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Charlotte Eriksson

"I get offered a lot of the same type of thing... The teenage slasher movies."

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Charlotte Eriksson

"Take the hardcore gamers. The characters are way more real in the world of hardcore gamers who have played the game for hundreds of hours. They have the movie in their heads, they've built it on their own. These guys are always very disappointed in the movies."

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Charlotte Eriksson

"Whereas European films have traditionally been able to go into adult relationships. I think there's a huge audience in America for those kinds of films."

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Personal Development

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Charlotte Eriksson

"I live very normally, I go out with my friends, we go to the movies, I queue, we go to restaurants."

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Charlotte Eriksson

"I never get scared making these kinds of movies because it's all make-believe, but I did cry when I saw the finished version of Man On Fire because it is so sad."

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Neil Jordan
"Well, Company of Wolves was about that literally, about fairy tales."

Movies

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Neil Jordan
"But everyone gets burnt, don't they? Certain things are outside of your control. I suppose the only thing you can learn as a director is to not put yourself into situations where it can get outside of your control. And that's what happened."

Control

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Neil Jordan
"I'm less comfortable making American movies because I don't know them so well."

Movies

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Neil Jordan
"Well, if you're talking about the current climate, there's a lack of content in American film because I think people are deeply confused about their emotions, and they don't regret certain aspects of their own foreign policy."

People

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Neil Jordan
"It's hard to know whether certain characters come to life or not, they either come to have their own life or they don't. I've written many things in which the characters just remain inert."

Life

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Neil Jordan
"I mean I grew up in Ireland, so one would have to be consciously blinkered not to have reflected on the issue of political violence because that was the story since I was 19 years old or 20."

Experience

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Neil Jordan
"When you've written a movie, you then get together with a whole lot of people and make it. In many ways, I think it is far nicer to be with people rather than being completely solitary."

People

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Neil Jordan
"The most difficult thing is the organization of people and the expression of your intentions. It's very easy to have a picture in your head and to imagine that you've told everybody about what you need."

People

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Neil Jordan
"It's nice to work with Hollywood because there is never any question of resources put at your disposal to make a film as long as it is the right thing to do."

Work

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Neil Jordan
"Why should a horror film be just a horror film? To me, The Company of Wolves is a fairy tale; it's got all those elements plus a lot more. And we know that fairy tales aren't innocent any more."

Movies

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