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Tina Weymouth

"I play bass. I don't have to go out there and screech."

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"I play bass. I don't have to go out there and screech."

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Asa Don Brown

"I held out a lead figurine of Hades-the little Mythomagic statue Nico had abandoned when he fled camp last winter.Nico hesitated. "I don't play that game anymore. It's for kids.""It's got four thousand attack power," I coaxed."Five thousand," Nico corrected. "But only if your opponent attacks first."I smiled. "Maybe it's okay to still be a kid once in a while."

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Asa Don Brown

"Hey, pretty book, why don't you lie in my lap awhile?"

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Asa Don Brown

"Kids. They're not tin cans or sheetrock. They're laughing machines. Wind them up and watch them go."

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Asa Don Brown

"When I play with my cat, who knows whether she is not amusing herself with me more than I with her."

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Asa Don Brown

"We have different personalities, but in a harmonious way, I'd say. Anyway, we were booked to play at the festival as a duo; and we decided we wouldn't have any rehearsal."

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Asa Don Brown

"We try to treat everywhere we play differently and that's really important."

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Asa Don Brown

"I had listened to Joe Turner. When they'd book Joe there, I'd play the blues behind him."

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Asa Don Brown

"Most of my nightmares involve me forgetting my lines in a stage play."

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Asa Don Brown

"I understand your new play is full of single entendres."

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Asa Don Brown

"I taught myself to play the piano. I've always been able to play, the minute I could get my hands up. I've always wanted to play the piano. It's the only instrument I've ever really liked, and it's the only one that's ever interested me."

Explore more quotes by Tina Weymouth

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Tina Weymouth
"I have respect for those who make money at art and do it well and smartly, because that commercial aspect keeps the world going and running, in a sense."
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Tina Weymouth
"We're not getting paid. We have these great musicians with us and it gives us a real charge. And the audience gives us a charge, because they keep it interesting all the time."
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Tina Weymouth
"It's a cruel, heartless world out there in commercial rock 'n' roll, and when you take as much time off as we did, eight years, booking agents don't know if you'll draw."
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Tina Weymouth
"When we were making Speaking in Tongues and Remain in Light, we were jamming. From that we were taking the best bits and then recording and improvising on top of those."
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Tina Weymouth
"If you have this passion for music, you don't stop doing it - it chooses you and doesn't release you."
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Tina Weymouth
"Make it, not make it? What's the difference? Music is a language, it's a dance of life, and it can be a part of your life without being something that earns."
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Tina Weymouth
"You learn just as much from your failures. Sometimes you love your failures even more."
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Tina Weymouth
"I don't want to wreck my voice. I love to concentrate on playing the bass and keeping it very rock-solid. If I were singing, I would have blown out my voice."
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Tina Weymouth
"Talking Heads, for me and Chris, was a very personal thing that we shared with a lot of people. In a way, I'm glad it's over, because it allows us to move beyond the restrictions that followed."
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Tina Weymouth
"We had our unhappy moments but they got channelled into the kind of sadness that was necessary for singing a song about going nowhere. So it worked out very well I think."
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