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Tina Weymouth

"I play bass. I don't have to go out there and screech."

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"I play bass. I don't have to go out there and screech."

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Amber Hurdle

"I held out a lead figurine of Hades-the little Mythomagic statue Nico had abandoned when he fled camp last winter.Nico hesitated. "I don't play that game anymore. It's for kids.""It's got four thousand attack power," I coaxed."Five thousand," Nico corrected. "But only if your opponent attacks first."I smiled. "Maybe it's okay to still be a kid once in a while."

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Amber Hurdle

"I just want to be able to play as fast as my brain goes, and my brain doesn't go all that fast."

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Amber Hurdle

"I personally don't like to use as many effects because when you play live, something always goes wrong."

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Amber Hurdle

"If I play anything that sounds like a solo, it's gonna sound like a lyric."

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Amber Hurdle

"If you like an instrument that sings, play the saxophone. At its best it's like the human voice."

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Amber Hurdle

"Rosie knows how to play ball. She's an athlete, for sure."

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Amber Hurdle

"I play the piano and have been playing since I was 7, mainly classical Chopin, Beethoven, Mozart."

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Amber Hurdle

"I guess by taking lessons early on, and really trying to play all the rudimentary stuff, and try to have it sound as good as my teacher. It took a lot of practice, which I enjoyed, and still do."

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Amber Hurdle

"Whenever you're going to play a real person, you run the risk of well, everybody in the world kind of has an image of what that person is and who he should be and so you really have to do your homework."

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Amber Hurdle

"I wake up in the morning, I do a little stretching exercises, pick up the horn and play."

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Tina Weymouth
"You learn just as much from your failures. Sometimes you love your failures even more."
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"Many Japanese painters and calligraphers would change their names intentionally to keep their relationship to the art always fresh. This way, others' expectations can be avoided."
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Tina Weymouth
"We're not getting paid. We have these great musicians with us and it gives us a real charge. And the audience gives us a charge, because they keep it interesting all the time."
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Tina Weymouth
"David is purely a conceptual artist. He didn't play any instruments or paint or anything. We were painters."
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Tina Weymouth
"When Talking Heads started, we called ourselves Thinking Man's Dance Music."
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Tina Weymouth
"We always thought the Tom Tom Club could change to anything, but it acquired this image, which was cartoon animation and this real light-hearted dance music."
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Tina Weymouth
"Sometimes you don't want to be a slapstick clown in order to convey a funny perception of the world."
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Tina Weymouth
"I think the idea of having the show divided into two parts was that Tom Tom Club opened for Talking Heads in Europe, and it was the best we'd ever had as an opening act."
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Tina Weymouth
"Richard Lloyd of Television is one of my favorite guitarists. His mentor was Jimi Hendrix when he was just 14. Jimi was always pounding everything he knew into that kid."
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Tina Weymouth
"I like the idea of Wild Infancy, of people who have a deprived background, of starting out wild."
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