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Terence Fisher

"He 's ruthless only because of his ideals. Unfortunately he doesn't succeed. The thing fails and gets out of hand and takes charge of him. Idealism is the only excuse he could have and it's a great excuse."

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"He 's ruthless only because of his ideals. Unfortunately he doesn't succeed. The thing fails and gets out of hand and takes charge of him. Idealism is the only excuse he could have and it's a great excuse."

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"For his heart was in his work, and the heart giveth grace unto every art."

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"Not everyone who loves music can play the tune."

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"The proper stuff of fiction does not exist everything is the proper stuff of fiction every feeling every thought every quality of brain and spirit is drawn upon no perception comes amiss. And if we can imagine the art of fiction come alive and standing in our midst she would undoubtedly bid us break her and bully her as well as honour and love her for so her youth is renewed and her sovereignty assured."

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"Be an artist in everything you do."

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"A good artist does not just make imaginations beautiful to the mind, but also more pleasant to the eye with a superb visible touch of excellence."

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"I have always noticed that in portraits of really great writers the mouth is always firmly closed."

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"The writing of somemenis like a vast bridgethat carries youoverthe many thingsthat claw and tear.The Wine of Forever."

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"Music gives life to the soul."

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Akiroq Brost

"In my view, the novelist has no right to express his opinions on the things of this world. In creating, he must imitate God: do his job and then shut up."

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Terence Fisher
"He 's ruthless only because of his ideals. Unfortunately he doesn't succeed. The thing fails and gets out of hand and takes charge of him. Idealism is the only excuse he could have and it's a great excuse."
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Terence Fisher
"The process is very gradual, you see. At first there's the tainted stage; they know what will eventually happen to them if they go on but they say, 'Oh God, don't do it to me do it again, please, please.'"
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Terence Fisher
"One blob of red in the wrong place and the audience isn't looking at the hero, they're looking at a patch of curtain (or something similar) and your whole effect is lost."
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Terence Fisher
"There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course."
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Terence Fisher
"Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality hadn't come out we'd have been very disappointed."
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Terence Fisher
"We're not as materialistic and income-tax conscious as we think. At the moment our superstitions are tucked away, but come out sometimes in strange ways sex crimes, black masses."
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Terence Fisher
"The reflection of the flame in the glass seems to be touching the hand. And you feel the helpless fear of these dismembered parts. This sort of thing can hardly be visualized at the script stage."
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Terence Fisher
"The written word is the basic of everything. Most important, the idea, and after that, the dialogue. You can rehash the dialogue as you go along, it 's disgraceful to have to do this, but now and again you have no choice."
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Terence Fisher
"Do I believe in the supernatural? Oh yes, certainly. I can't believe, I can't accept that you die and that's the end. Physically maybe it is a fact. But there's something about the mind that's more than that."
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