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"When I was at Stratford, the very first thing that I was commissioned to work on was trying to make a musical out of the documentary material about the General Strike, which was the next big historical event in England, after the First World War."
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"The doctrine that war is always a greater evil seems to imply a materialist ethic, a belief that death and pain are the greatest evils. But I do not think they are... All men die, and most men miserably. That two soldiers on opposite sides, each believing his own country to be in the right, each at the moment when his selfishness is most in abeyance and his will to sacrifice in the ascendant, should kill [each] other in plain battle seems to me by no means one of the most terrible things in this terrible world."

"The evil we create during the wars to save us, it can also end us when the war is over."

"Words of war, on a piece of paper. Where peace is torn off, crumbled and toss in the waste basket."

"In raining bullets on those silent faces, already turned away from this world, you think you are disfiguring the face of our truth."

"What is the first thing we did when we took control of Iraq? Protect the oil fields. Remember the administration quote about how the oil would pay for the war."

"Let's think of that moment when a woman washed the feet of Jesus with the nard, so expensive: it is a religious moment, a moment of gratitude, a moment of love. And he [Judas] stands apart with bitter criticism: 'But this could have been used for the poor!' This is the first reference that I have found, in the Gospel, to poverty as an ideology. The ideologue does not know what love is, because he does nt know how to give himself."

"Those people who want to express their religious beliefs on public property should enjoy the same rights that we provide to those protesting the war in Iraq."
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"You are faced with the choice: either my integrity remains intact and this is the work that ends up on the screen, or I have to leave, and I have to be known to have left."

"In my teens, I developed a passionate idolatry for a teacher of English literature. I wanted to do something that he would approve of more, so I thought I should be some sort of a scholar."

"In a way, I have to have a dictatorship. I can't be told that I'm wrong. That conflicts with what I was saying earlier about listening. It isn't to do with receiving criticism and responding to other views, it's who has that last decision."

"In my early years, my father was away as a soldier in the war. When he came back, work was very difficult to come by. Even though he was a highly skilled man, a maker of furniture, the payment for that work was very poor."

"The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable."

"What you're doing is putting into professional play the way that you relate to other people, the way that you analyze and relate to a written text, the way that you would persuade anybody to do anything. It has to do with listening, with humility and a sense of yourself."

"When I was 13 years old, a professional theater company in my town needed a kid actor. I auditioned, and I got the part, so for just a few weeks I became a member of the company and I met some professional actors."

"I would be terribly disappointed if anything would get in the way of my being cast in something, or if performances were canceled. It was a fix that I obviously needed."

"If you feel very deeply about something, it's not possible to sacrifice your integrity about that."

"I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera."
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