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Gregory Hines

"I read the script, and I knew it was a good part. It was written for a white actor. That's what I'm up against - I have to try to make roles happen for me that aren't written black."

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"I read the script, and I knew it was a good part. It was written for a white actor. That's what I'm up against - I have to try to make roles happen for me that aren't written black."

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Amber Hurdle

"For a child actor, it's a matter of listening, reacting, and being able to put yourself in a new place without being scared."

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Amber Hurdle

"Yes, it is a rehearsed show, yes, it was analogy of going to see a play at the theatre, where everything has to be in place and whole things, everything being works, all works together to get the best effect you know it's more like an actor learning a part."

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Amber Hurdle

"The best research for playing a drunk is being a British actor for 20 years."

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Amber Hurdle

"Directors, like actors, get typecast."

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Amber Hurdle

"What the Bleep Do We Know was not written with a deaf person in mind, but when they met me, it clicked with them to have me in it. But that happens with a lot of actors in Hollywood, not just with me."

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Amber Hurdle

"To my way of thinking, an actor's course is set even before he's out of the cradle."

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Amber Hurdle

"Being a good actor isn't easy. Being a man is even harder. I want to be both before I'm done."

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Amber Hurdle

"We've had no problems with the actors, but we keep a really loose set."

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Amber Hurdle

"I've been on jobs where there's that one actor who is just a miserable, miserable no-good, dirty bastard, and it just turns the whole process sour."

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Amber Hurdle

"Being a working actor, you're going to do a Spelling show. It's hard not to."

Explore more quotes by Gregory Hines

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Gregory Hines
"It turned out to be exactly that, but more challenging emotionally. I looked at it in a more physical way, having to act in a chair and move around. But it really was more emotionally challenging."
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Gregory Hines
"They were very generous with me. Everybody was willing to talk about their particular accident, what they had to deal with and how they got back in touch with their competitors' spirit."
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Gregory Hines
"Once I got to be about twenty-five, I got interested in the music of the time. I started smokin' dope, I started drinking, I started slowing down and trying to find myself. I didn't want to work in nightclubs."
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Gregory Hines
"You know the first time I sat in the chair I felt anything but up, it was very emotional for me. I had a chair in my hotel room, a chair at rehearsal, and I was trying to spend as much time as I could in the chair."
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Gregory Hines
"I don't remember not dancing. When I realized I was alive and these were my parents, and I could walk and talk, I could dance."
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Gregory Hines
"They told me that the hotels had maybe two rooms set up for people with disabilities, but if they got there too late, and didn't get one of these rooms, they couldn't take a shower. The room wasn't hooked up for them, or maybe the sink was too high."
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Gregory Hines
"I wanted to make a movie, because the whole life of the movies appealed to me. You work hard for three or four months, then you don't work at all for a couple of months."
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Gregory Hines
"My character had been in the chair for seven years. He had gone through his anger, depression, drug and alcohol abuse. He had gone through everything, now he was up, he was happy, he was filled with his dream."
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Gregory Hines
"I never wanted to be a star, I just wanted to get work."
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Gregory Hines
"I can remember feeling very angry, and saying no! I can do it myself! From that point of view it was very emotional for me to get myself to the point to sit in the chair and be "up"."
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