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Samuel Beckett

"ESTRAGON: Don't touch me! Don't question me! Don't speak to me! Stay with me!VLADIMIR: Did I ever leave you?ESTRAGON: You let me go."

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"ESTRAGON: Don't touch me! Don't question me! Don't speak to me! Stay with me!VLADIMIR: Did I ever leave you?ESTRAGON: You let me go."

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Amber Hurdle

"It was no wonder that they thus questioned one another's actual and bodily existence, and even doubted of their own. So strangely did they meet in the dim wood that it was like the first encounter in the world beyond the grave of two spirits who had been intimately connected in their former life, but now stood coldly shuddering in mutual dread, as not yet familiar with their state, nor wonted to the companionship of disembodied beings. Each a ghost, and awe-stricken at the other ghost."

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Amber Hurdle

"About a third of my cases are suffering from no clinically definable neurosis, but from the senselessness and emptiness of their lives. This can be defined as the general neurosis of our times."

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Amber Hurdle

"The flowing river nonchalantly reminds us of life: flowing relentlessly, flowing purposelessly. Life without purpose."

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Amber Hurdle

"Hand, nobody told me about the weight. Why didn't our parents tell us about the weight?-What weight?-The fucking weight, Hand. How does the woman Ingres live? The one from Marrakesh? If we're vessels, and we are, then we, you and I, are overfull, and that means she's at the bottom of a deep cold lake. How can she stand the hissing of all that water?-We are not vessels; we are missiles.-We're static and we're empty. We are overfull and leaden.-We are airtight and we are missiles and all-powerful."

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Amber Hurdle

"Why are we here? Is there, really, some intelligent design? Why do we cry for someone who leaves us, if there's some Grand Pearly Gate in the sky? Why worry about how we build our lives if the ultimate ending for all is death, a single breath away?"

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Amber Hurdle

"The only true borders lie between day and night, between life and death, between hope and loss."

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Amber Hurdle

"What is this world that is hastening me toward I know not what, viewing me with contempt?"

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Amber Hurdle

"One thing you cannot know: The sudden extinction of every alternative, The unexpected crash of the iron cataract. You do not know what hope is, until you have lost it. You only know what it is not to hope: You do not know what it is to have hope taken from you Or to fling it away, to join the legion of the hopeless Unrecognized by other men, though sometimes by each other."

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Amber Hurdle

"Why I came here, I know not; where I shall go it is useless to inquire - in the midst of myriads of the living and the dead worlds, stars, systems, infinity, why should I be anxious about an atom?"

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Amber Hurdle

"It can't be that life is so senseless and horrible. But if it really has been so horrible and senseless, why must I die and die in agony? There is something wrong!"

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Samuel Beckett
"Birth was the death of him."
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Samuel Beckett
"Do we mean love, when we say love?"
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Samuel Beckett
"We are not saints, but we have kept our appointment. How many people can boast as much?"
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Samuel Beckett
"If you do not love me I shall not be loved If I do not love you I shall not love."
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Samuel Beckett
"Ada: And why life? (Pause.) Why life, Henry? (Pause.) Is there anyone about?Henry: Not a living soul.Ada: I thought as much. (Pause.) When we longed to have it to ourselves there was always someone. Now that it does not matter the place is deserted."
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Samuel Beckett
"In order to be company he must display a certain mental activity. But it need not be of a high order. Indeed it might be argued the lower the better. Up to a point. The lower the order of mental activity the better the company. Up to a point."
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Samuel Beckett
"Incontinent the void. The zenith. Evening again. When not night it will be evening. Death again of deathless day. On one hand embers. On the other ashes. Day without end won and lost. Unseen."
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Samuel Beckett
"I asked her to look at me and after a few moments - (pause) - after a few moments she did, but the eyes just slits, because of the glare I bent over her to get them in the shadow and they opened. (Pause. Low) Let me in."
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Samuel Beckett
"You are on your back at the foot of an aspen. In its trembling shade. She at right angles propped on her elbows head between her hands. Your eyes opened and closed have looked in hers looking in yours. In your dark you look in them again. Still. You feel on your face the fringe of her long black hair stirring in the still air. Within the tent of hair your faces are hidden from view. She murmurs, Listen to the leaves. Eyes in each other's eyes you listen to the leaves. In their trembling shade."
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Samuel Beckett
"I happened to look up and there it was. All over and done with, at last. I sat on for a few moments with the ball in my hand and the dog yelping and pawing at me. (Pause.) Moments. Her moments, my moments (Pause.) The dog's moments."
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