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Charlton Heston

"The big studio era is from the coming of sound until 1950, until I came in... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking."

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"The big studio era is from the coming of sound until 1950, until I came in... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking."

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Amber Hurdle

"It's not a bad problem to have because a lot of classic acts are known for one or two songs and in their show they basically hold those songs off until the end and you sit through an hour or so of lesser known material but in our case most of the songs are well known."

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Amber Hurdle

"I'm the end of the line; absurd and appalling as it may seem, serious New York theater has died in my lifetime."

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Amber Hurdle

"A real estate closer. Oh, what's that? I'm a real estate opener. What is a real estate closer? You mean at the end where you've got to sign all those papers?"

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Amber Hurdle

"It doesn't really exist; it's just basically lots of different stages between the two pieces, and you end up with, like, a third shape that doesn't exist but is suggested to you by the image."

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Amber Hurdle

"But even if I'm left high and dry at the end of this wild journey, just taking it is a great feeling."

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Amber Hurdle

"Certain struggles never end."

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Amber Hurdle

"I think all comics borrow from each other. Only a few have an original voice, and I wasn't one of them. In the end, I couldn't figure out who to steal from, so I stopped doing it."

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Amber Hurdle

"There is a light at the end of the tunnel... hopefully its not a freight train!"

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Amber Hurdle

"I never fixed a story. I didn't make judgments, I let the listener make judgments. When I got to the end of the story, if it had a moral, I let the listener find it."

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Amber Hurdle

"At the end of the movie all of us have this shared redemption."

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Explore more quotes by Charlton Heston

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Charlton Heston
"As an artist, I understand that, and I value the creative input of the artist."
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Charlton Heston
"Shakespeare is the outstanding example of how that can be done. In all of Shakespeare's plays, no matter what tragic events occur, no matter what rises and falls, we return to stability in the end."
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Charlton Heston
"I've played three presidents, three saints and two geniuses - and that's probably enough for any man."
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Charlton Heston
"You cut their money back, for one thing... I go back a long way with the NEA."
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Charlton Heston
"The trouble with movies as a business is that it's an art, and the trouble with movies as art is that it's a business."
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Charlton Heston
"In recent years, anyone in the government, certainly anyone in the FBI or the CIA, or recently, in again, Clint's film, In the Line of Fire, the main bad guy is the chief advisor to the president."
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Charlton Heston
"Society mends its wounds. And that's invariably true in all the tragedies, in the comedies as well. And certainly in the histories."
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Charlton Heston
"You can spend a lifetime, and, if you're honest with yourself, never once was your work perfect."
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Charlton Heston
"The big studio era is from the coming of sound until 1950, until I came in... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking."
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Charlton Heston
"Dirty Harry, for example. Clint Eastwood was not a rogue cop. He was a maverick cop, but he was a good guy."
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