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George Martin

"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."

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"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."

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Amber Hurdle

"An artist is a dreamer consenting to dream of the actual world."

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Amber Hurdle

"There's a lot to be said for having a small manageable dream."

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Amber Hurdle

"I believe in everything until it's disproved. So I believe in fairies, the myths, dragons. It all exists, even if it's in your mind. Who's to say that dreams and nightmares aren't as real as the here and now?"

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Amber Hurdle

"The interpretation of dreams is the royal road to a knowledge of the unconscious activities of the mind."

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Amber Hurdle

"Dreams are often most profound when they seem the most crazy."

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Amber Hurdle

"She was someone's dream, who just chose to show up in someone else's sleep."

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Amber Hurdle

"I advise you to say your dream is possible and then overcome all inconveniences, ignore all the hassles and take a running leap through the hoop, even if it is in flames."

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Amber Hurdle

"I was not looking for my dreams to interpret my life, but rather for my life to interpret my dreams."

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Amber Hurdle

"What you want to do, and what you can do, is limited only by what you can dream."

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Amber Hurdle

"It takes someone with a vision of the possibilities to attain new levels of experience. Someone with the courage to live his dreams."

Explore more quotes by George Martin

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George Martin
"Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects."
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George Martin
"What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness."
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George Martin
"We're lucky, real lucky. Our friends lost their house. We just had some burning embers put holes in the screens."
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George Martin
"When you extend life span, that's really something. That's hard to do."
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George Martin
"I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along."
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George Martin
"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."
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George Martin
"And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe."
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George Martin
"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."
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George Martin
"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."
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