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George Martin

"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."

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"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."

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"World peace, true love, and happily-ever-afters amount to wasted wishes, failed endeavors, and most precious dreams."

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"Embrace the possibility of a fulfilled dream."

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"Don't give up. Keep moving in the direction of your dreams. There is a time for the fulfillment of your dreams."

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"To dream your wildest dream, find your deepest desire."

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"Dream as if everything is possible."

Explore more quotes by George Martin

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George Martin
"When you extend life span, that's really something. That's hard to do."
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George Martin
"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."
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George Martin
"Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects."
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George Martin
"And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe."
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George Martin
"I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along."
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George Martin
"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."
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George Martin
"What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness."
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George Martin
"We're lucky, real lucky. Our friends lost their house. We just had some burning embers put holes in the screens."
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George Martin
"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."
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