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George Martin

"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."

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"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."

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Akiroq Brost

"When question arise Dream or not to dream Always dream."

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Akiroq Brost

"An artist is a dreamer consenting to dream of the actual world."

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Akiroq Brost

"I had the most beautiful dream, and then I fell asleep in your arms and my dream turned lovelier still."

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Akiroq Brost

"I dream a lot. I do more painting when I'm not painting. It's in the subconscious."

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Akiroq Brost

"Readers respond to every genre intensely, if it's a genre that appeals to them. Again, who can say why anyone enjoys horror and dark fantasy? If I can't answer the question for myself, I wouldn't dream of trying to answer it for others."

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Akiroq Brost

"Every great dream, meet an opposing views. The certainty within our spirit made the dream reality."

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Akiroq Brost

"Flying dreams mean that you're doing the right thing with your life."

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Akiroq Brost

"I wouldn't dream of working on something that didn't make my gut rumble and my heart want to explode."

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Akiroq Brost

"They all dreamt of each other that night, as was natural, considering how thin the partitions were between them, and how strangely they had been lifted off the earth to sit next each other in mid-ocean, and see every detail of each others' faces, and hear whatever they chanced to say."

Explore more quotes by George Martin

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George Martin
"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."
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George Martin
"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."
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George Martin
"We're lucky, real lucky. Our friends lost their house. We just had some burning embers put holes in the screens."
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George Martin
"Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects."
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George Martin
"When you extend life span, that's really something. That's hard to do."
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George Martin
"And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe."
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George Martin
"What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness."
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George Martin
"I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along."
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George Martin
"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."
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