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"My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture."
Author Name
Personal Development

"Altman works in such an interesting way, letting things occur in the film even if he didn't particularly plan them."
Author Name
Personal Development

"We are the only state that does not have a State Film Corporation there to support the commercial industry."
Author Name
Personal Development

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."
Author Name
Personal Development

"To make a documentary is one thing, to make a feature film is quite another."
Author Name
Personal Development

"I like the smell of film. I just like knowing there's film going through the camera."
Author Name
Personal Development

"Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee."
Author Name
Personal Development

"I am never driven. Every film I've made has been an assignment."
Author Name
Personal Development

"I met Milos in 1967. I was working on a student film. And there is Milos Forman. So that's how I met Milos."
Author Name
Personal Development

"Daffy, of course, wants to go on the journey with him but the studio decides they want Daffy back, so Bugs and a young studio executive heroine have to go out and try to bring him back."
Author Name
Personal Development
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"I think people have a tendency to read into more than there is."
People

"John Carpenter created the idea of Halloween, so his vision remains the most focused and intelligently directed of the series. The directors that have followed have kept the original intent of the concept."
Idea

"John and I had a few meetings about what direction the sequel should take. I made some real insane suggestions. True to what you'd expect, he ignored them all and just picked up Halloween II where the original left off."
Direction

"The idea of dying and coming back is what makes the Halloween films work."
Work

"All the real work is done in the rehearsal period."
Work

"I am not one of those actors who believes he has to live the part he is playing. I can turn it on and off."
Actor

"I do not use any set methods, not even The Method. The character after all is in the lines."
Character

"It's gotten to the point where it's big news when I don't do a horror film."
Film

"I believe you can frighten people without showing their heads caved-in."
People

"The play is on top of me all the time, and I am constantly thinking about it. Even when I leave the theatre, I'll mumble the lines to myself or think about the way the character walks or holds himself."
Time
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