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Trevor Nunn

"I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the actor and the audience."

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"I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the actor and the audience."

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"My college training was primarily in theatre, with an eye to becoming a director, actor, or producer."

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"A lot of actors don't like to see how they've done every day."

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"Being an actor means being an instrument for someone else. I want to give myself completely."

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"Being a film actor is very different from a theatre actor."

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"An actor is a guy who, if you ain't talking about him, he ain't listening."

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"Every actor I think has got their own number of takes that they like, you know. Some actors like to go all day, you know on the one scene and some actors want to take two takes. I personally like four."

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"Being unemployed is not good for an actor. No, it isn't, no matter how unsuccessful you are. Because you always remember getting fired from all the restaurants. You remember that stuff very, very strongly."

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Donna Grant

"I'm a good actor in that sense for directors because I always do what they say."

Explore more quotes by Trevor Nunn

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Trevor Nunn
"What you're doing is putting into professional play the way that you relate to other people, the way that you analyze and relate to a written text, the way that you would persuade anybody to do anything. It has to do with listening, with humility and a sense of yourself."
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Trevor Nunn
"In a way, I have to have a dictatorship. I can't be told that I'm wrong. That conflicts with what I was saying earlier about listening. It isn't to do with receiving criticism and responding to other views, it's who has that last decision."
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Trevor Nunn
"The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable."
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Trevor Nunn
"I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the actor and the audience."
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Trevor Nunn
"A lot of performing instincts are involved in the business of direction, but so is analysis and having a sense of literature."
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Trevor Nunn
"When I was at Stratford, the very first thing that I was commissioned to work on was trying to make a musical out of the documentary material about the General Strike, which was the next big historical event in England, after the First World War."
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Trevor Nunn
"In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work."
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Trevor Nunn
"The first big break was winning a scholarship to go to Cambridge University. I was very lucky, because my parents couldn't have afforded a university education for me. Without a scholarship I couldn't possibly have gone."
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Trevor Nunn
"When I was 13 years old, a professional theater company in my town needed a kid actor. I auditioned, and I got the part, so for just a few weeks I became a member of the company and I met some professional actors."
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Trevor Nunn
"I always believe it's better to have 30 imaginations working on a project, rather than one imagination telling the other 29 what to do."
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