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Joseph Conrad

"Fiction, at the point of development at which it has arrived, demands from the writer a spirit of scrupulous abnegation.The only legitimate of all the irreconcilable antagonisms that make our life so enigmatic, so burdensome, so fascinating, so dangerous--so full of hope. They exist! And this is the only fundamental truth of fiction."

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"Fiction, at the point of development at which it has arrived, demands from the writer a spirit of scrupulous abnegation.The only legitimate of all the irreconcilable antagonisms that make our life so enigmatic, so burdensome, so fascinating, so dangerous--so full of hope. They exist! And this is the only fundamental truth of fiction."

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Amber Hurdle

"When you think about the period in which Agatha Christie's crime novels were written, they are actually quite edgy for the time."

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Amber Hurdle

"I have been used to consider poetry as "the food of love" said Darcy."Of a fine, stout, healthy love it may. Everything nourishes what isstrong already. But if it be only a slight, thin sort of inclination, Iam convinced that one good sonnet will starve it entirely away."

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Amber Hurdle

"Maybe the example of Southern fiction writing has been so powerful that Southern poets have sort of keyed themselves to that."

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Amber Hurdle

"Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn't touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror--of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision--he cried out twice, a cry that was no more than a breath:The horror! The horror!"

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Amber Hurdle

"June had drawn out every leaf on the trees. The mothers of Pimlico gave suck to their young. Messages were passing from the Fleet to the Admiralty. Arlington Street and Piccadilly seemed to chafe the very air in the Park and lift its leaves hotly, brilliantly, on waves of that divine vitality which Clarissa loved. To dance, to ride, she had adored all that."

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Amber Hurdle

"As far as now I can tell that most Stephen King fans don't know him well. They have read or viewed few works and their judge is based on them... that's now well knowing a writer!"

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Amber Hurdle

"Although I love elegant parties, dancing and dining and spending the night with a sweet woman in my arms, my life belongs to literature."

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Amber Hurdle

"Of all public figures and benefactors of mankind, no one is loved by history more than the literary patron. Napoleon was just a general of forgotten battles compared with the queen who paid for Shakespeare's meals and beer in the tavern. The statesman who in his time freed the slaves, even he has a few enemies in posterity, whereas the literary patron has none. We thank Gaius Maecenas for the nobility of soul we attribute to Virgil; but he isn't blamed for the selfishness and egocentricity that the poet possessed. The patron creates 'literature through altruism,' something not even the greatest genius can do with a pen."

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Amber Hurdle

"Second hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack."

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Amber Hurdle

"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."

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Joseph Conrad
"You know I hate, detest, and can't bear a lie, not because I am straighter than the rest of us, but simply because it appals me. There is a taint of death, a flavour of mortality in lies -which is exactly what I hate and detest in the world -what I want to forget. It makes me miserable and sick, like biting something rotten would do. Temperament, I suppose."
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Joseph Conrad
"Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn't touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror--of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision--he cried out twice, a cry that was no more than a breath:The horror! The horror!"
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Joseph Conrad
"There is a taint of death, a flavour of mortality in lies - which is exactly what I hate and detest in the world - what I want to forget."
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Joseph Conrad
"All idealisation makes life poorer. To beautify it is to take away its character of complexity - it is to destroy it."
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Joseph Conrad
"The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much."
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Joseph Conrad
"The wilderness had caressed him, and-lo!-he had withered; it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation."
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Joseph Conrad
"He lived then before me, he lived as much as he had ever lived---a shadow insatiable of splendid appearances, of frightful realities, a shadow darker than the shadow of the night, and draped nobly in the folds of a gorgeous eloquence. The vision seemed to enter the house with me---the stretcher, the phantom-bearers, the wild crowd of obedient worshipers, the gloom of the forests, the glitter of the reach between the murky bends, the beat of the drum regular and muffled like the beating of a heart, the heart of a conquering darkness."
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Joseph Conrad
"Who would care to question the ground of forgiveness or compassion?"
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Joseph Conrad
"Any work that aspires, however humbly, to the condition of art should carry its justification in every line."
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Joseph Conrad
"Beyond the fence the forest stood up spectrally in the moonlight, and through the dim stir, through the faint sounds of that lamentable courtyard, the silence of the land went home to one's very heart - its mystery, its greatness, the amazing reality of its concealed life."
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