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Sylvia Kristel

"As a painter you're responsible yourself, 100 percent. In film, you have the editor, the director, the other actors. It has the advantage of not being solitary."

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"As a painter you're responsible yourself, 100 percent. In film, you have the editor, the director, the other actors. It has the advantage of not being solitary."

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A.E. Samaan

"My college training was primarily in theatre, with an eye to becoming a director, actor, or producer."

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"You know, whatever happens between the two of us that's created when we come together as actors is not something I think we can explain."

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A.E. Samaan

"I watch actors destroy themselves by trying to get it right."

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"A lot of talented actors still have to pay their bills."

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A.E. Samaan

"I'm not like one of those actors who's a frustrated director."

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"I'm an actor who hates dialogue and the present day and reality."

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A.E. Samaan

"For no. 1, it's great writing, super writing. The second thing is that it's great chemistry with all the actors. We just all got along from the very start. Very get-go, we all got along. We just - it was just like we were all meant to be there together."

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A.E. Samaan

"Indeed, the actor's lot is a much harder one than that of the director's, from one simple standpoint: The actor has to play the eight shows a week."

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A.E. Samaan

"We all perform our lives in a way. And the actor is a perfect metaphor to get at that theme of 'how do we find our authentic selves?' And that we all - whether we're actors or not - perform ourselves. As a way of searching. As a way of fumbling around and trying to say, is this my voice? Is this who I am?"

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A.E. Samaan

"When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world."

Explore more quotes by Sylvia Kristel

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Sylvia Kristel
"As a painter you're responsible yourself, 100 percent. In film, you have the editor, the director, the other actors. It has the advantage of not being solitary."
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Sylvia Kristel
"I still have agents in France, Los Angeles and Amsterdam who call and suggest parts. I'd love to keep on doing both painting and acting until the end of my days."
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Sylvia Kristel
"Of course it's difficult to top a box office success like Emmanuelle, so it will always be my most important work. But that's nothing to be ashamed of."
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Sylvia Kristel
"The film was made in 1973. It was a golden time for people to experiment without risking, for example, AIDS. Today one has to be so much more careful and I don't think a character like that could exist now."
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Sylvia Kristel
"When a new generation watches the films, people might mention that it has improved their lovemaking. I guess it's because it isn't threatening. It was very sweet and delicate."
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Sylvia Kristel
"I have to be careful not to be too proud in life, because there is always room for improvement."
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Sylvia Kristel
"I'm very glad to have something to be passionate about. I can't imagine a life without passion."
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Sylvia Kristel
"The only thing I was trying to portray was serenity. Also, innocence, vulnerability and elegance."
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Sylvia Kristel
"I learned so much from other actors and they definitely didn't treat me like some sex bomb or bimbo. I felt fully accepted in the regular movie world. I didn't feel categorised."
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Sylvia Kristel
"Back then I didn't think a woman like that, or a relationship like that, could exist with complete freedom and no jealousy or possessiveness. I thought it sounded too good to be true and I was certainly convinced it wasn't the life for me!"
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