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"Every time you go to see Hamlet you don't expect it to have a happy ending...you're still enthralled. (Interview BBC Radio 4 Today 17 October 2012.)"
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"And then, on September 11, the world fractured.It's beyond my skill as a writer to capture that day and the days that would follow--the planes, like specters, vanishing into steel and glass; the slow-motion cascade of the towers crumbling into themselves; the ash-covered figures wandering the streets; the anguish and the fear. Nor do I pretend to understand the stark nihilism that drove the terrorists that day and that drives their brethren still. My powers of empathy, my ability to reach into another's heart, cannot penetrate the blank stares of those would murder innocents with abstract, serene satisfaction."

"What makes mankind tragic is not that they are the victims of nature, it is that they are conscious of it."

"We came together in a dance of death and so quickly was I sucked down into the vortex that when I came to the surface again I couldn't recognize the world. When I found myself loose the music had ceased the carnival was over and I had been picked clean."

"There are cancers so insidious in their nature that their very pulsation is invisible. Such cancers leave the ivory whiteness of the skin untouched, and marble not the firm, fair flesh, with their blue tints; the physician who bends over the patient's chest hears not, through he listens, the insatiable teeth of the disease grinding its onward progress through the muscles, as the blood flows freely on; the knife has never been able to destroy, and rarely even, temporarily, to discern the rage of these mortal scourges; their home is in the mind, which they corrupt; they fill the whole heart until it breaks. Such, madame, are the cancers, fatal to queens; are you, too, free from their scourge?"

"But what was there to say?Only that there were tears. Only that Quietness and Emptiness fitted together like stacked spoons. Only that there was a snuffling in the hollows at the base of a lovely throat. Only that a hard honey-colored shoulder had a semicircle of teethmarks on it. Only that they held each other close, long after it was over. Only that what they shared that night was not happiness, but hideous grief.Only that once again they broke the Love Laws. That lay down who should be loved. And how. And how much."
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"Your fear is, that if you marry AdA le, you will love her. If you have children, you will love them more than anything else in the world, more than patriotism, more than democracy. If your children grow up, and prove traitors to the people, will you be able to demand their deaths, as the Romans did? Perhaps you will, but perhaps you will not be able to do it. You're afraid that if you love people you may be deflected from your duty, but it's because of another kind of love, isn't it, that the duty is laid upon you?"

"In order not to make a liar out of Henry or Katherine, one or the other, the committee men think up circumstances in which the match may have been partly consummated, or somewhat consummated, and to do this they have to imagine every disaster and shame that can occur between a man and a woman alone in a room in the dark."

"He knows different now. It's the living that chase the dead. The long bones and skulls are tumbled from their shrouds, and words like stones thrust into their rattling mouths: we edit their writings, we rewrite their lives. Thomas More had spread the rumor that Little Bilney, chained to the stake, had recanted as the fire was set. It wasn't enough for him to take Bilney's life away; he had to take his death too."

"I think now that this is the great division between people. There are people who find life hard and those who find it easy. There are those who have a natural, in-built, expectation of happiness, and there are those who feel that happiness is not to be expected: that it is not, in fact, one of the rights of man. Nor, God knows, one of the rights of women."

"He runs his eye along the row of knives in their racks, the cleavers for splitting bones. He picks one up, looks at its edge, decides it needs sharpening and says, "Do you think I look like a murderer? In your good opinion?"A silence. After a while, Thurston proffers, "At this moment, master, I would have to say..."

"The prose, Robespierre said. "It's so clean, no conceits, no show, no wit. He means every word. Formerly, you see, he meant every other word. That was his style."

"But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires."

"I picked up a snake once. In Italy.""Why did you do that?""For a bet.""Was it poisonous?""We didn't know. That was the point of the bet.""Did it bite you?""Of course.""Why of course?""It wouldn't be much of a story, would it? If I'd put it down unharmed, and away it slid?"
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