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Jenny Agutter

"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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"Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling."

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"When you direct your first film, you always start by telling stories that you are familiar with."

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Amber Hurdle

"It was an interesting process trying to get Bob to talk about the film because he's such a shy person. He generally likes to talk when he really knows he has something to say."

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Amber Hurdle

"But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won't show something that's embarrassing."

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Amber Hurdle

"I'm not interesting enough on my own that you'd want to see a film about me."

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Amber Hurdle

"You wouldn't ask Rodin to make an ugly sculpture, or me to make a film with an ugly woman."

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Amber Hurdle

"I always approach film as a fan."

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Amber Hurdle

"I mean, Tarantino is such a SHMUCK 90 percent of the time. But ten percent of the time, I've seen genius shining off the guy."

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Amber Hurdle

"This is unexposed film of Greenwich Village because nothing ever happens there."

Explore more quotes by Jenny Agutter

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Jenny Agutter
"I hope I presented what I felt the woman seemed to be about, but I couldn't give any reason as to why she remained in the relationship other than that their relationship was very special."
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Jenny Agutter
"Clearly any film company that makes a film is always going to talk about sequels particularly if they see something as being successful, which Werewolf was."
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Jenny Agutter
"To make films is as boring as watching paint dry - you usually have to do little tiny bits here and there. You go off waiting for lighting, you come back - the energy dies. You hope you can find someone who can keep it going."
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Jenny Agutter
"I was really glad to meet Jane Clark because it did give me an insight. I couldn't imagine what kind of woman she was. I was hugely impressed by her energy, straightforward nature and enthusiasm for life."
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Jenny Agutter
"Fortunately, both television adaptations and the film I've been involved with are pieces of work that I'm proud of, so I'm very happy for people to focus on them."
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Jenny Agutter
"I have a huge respect for writers and realise that this is not an area that I find easy. I doubt that I would have the patience in front of a blank sheet of paper to become a writer."
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Jenny Agutter
"But John Landis wrote a good relationship which is really what the film's about. A very straightforward young woman who's very sure of herself and she meets a young man who needs some taking care of."
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Jenny Agutter
"I've done both theatre and film and the fact is if you start believing, if you start reading things and they're good reviews - you believe that and you're lost, and then you read bad reviews and you think that's true and you read that and you're lost."
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Jenny Agutter
"So I'm not really quite sure what Landis' plans were to make another one. The American Werewolf in Paris was a completely separate story."
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Jenny Agutter
"I have grown up but that should be a positive thing. When you look at a photo album it's lovely to remember being so young but it's also good to know you grew up!"
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