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"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."
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"My first student film was Orientation, which was basically the set-up for Animal House. There are a couple of scenes that we later borrowed in some form."
"I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way."
Film,
"I know it's a film and all of that, and it's a Hollywood film, but it kind of feels like this sometimes, when you're in pain and it hurts, and you're desperate. Or you are about to cross some moral line and it's so seductive and you just do... and all that."
"Film gives us a second chance at a first impression."
"You are probably right when you say that I could get a role in any producer's film if I just asked."
"I even agree with the new digital ways of filmmaking, where you don't even have physical film in the camera, but to be honest, I wouldn't want to use it."
"When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it."
Film,
"Although the French were very friendly and helpful. On one location we were to film at the top of the Eiffel Tower but we couldn't, as it was so misty with four inches of snow on the ground. We couldn't see a thing but we finally got it done."
Explore more quotes by Jenny Agutter
"Clearly any film company that makes a film is always going to talk about sequels particularly if they see something as being successful, which Werewolf was."
"But John Landis wrote a good relationship which is really what the film's about. A very straightforward young woman who's very sure of herself and she meets a young man who needs some taking care of."
"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."
"I have a huge respect for writers and realise that this is not an area that I find easy. I doubt that I would have the patience in front of a blank sheet of paper to become a writer."
"So I'm not really quite sure what Landis' plans were to make another one. The American Werewolf in Paris was a completely separate story."
"To make films is as boring as watching paint dry - you usually have to do little tiny bits here and there. You go off waiting for lighting, you come back - the energy dies. You hope you can find someone who can keep it going."
"I was really glad to meet Jane Clark because it did give me an insight. I couldn't imagine what kind of woman she was. I was hugely impressed by her energy, straightforward nature and enthusiasm for life."
"I have grown up but that should be a positive thing. When you look at a photo album it's lovely to remember being so young but it's also good to know you grew up!"
"Fortunately, both television adaptations and the film I've been involved with are pieces of work that I'm proud of, so I'm very happy for people to focus on them."
"I hope I presented what I felt the woman seemed to be about, but I couldn't give any reason as to why she remained in the relationship other than that their relationship was very special."
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