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David Amram

"We met with the poet Frank O'Hara, who was a link between Upper and Lower Bohemia, and who worked at the Museum of Modern Art, where we had hoped to do the readings."

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"We met with the poet Frank O'Hara, who was a link between Upper and Lower Bohemia, and who worked at the Museum of Modern Art, where we had hoped to do the readings."

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Amber Hurdle

"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."

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Amber Hurdle

"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."

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Amber Hurdle

"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."

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Amber Hurdle

"Let music ignite your vivid inner colors and bring you harmony inside and out."

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Amber Hurdle

"I have always noticed that in portraits of really great writers the mouth is always firmly closed."

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Amber Hurdle

"A work of art has no importance whatever to society. It is only important to the individual."

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Amber Hurdle

"Rules and models destroy genius and art."

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Amber Hurdle

"The effort of art is to keep what is interesting in existence, to recreate it in the eternal."

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David Amram
"In a jazz atmosphere, the audience members were so quiet and respectful of the musicians that you felt you were almost part of a meeting at a church or a temple, where everyone was completely in tune with the sermon and what the whole event was about."
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David Amram
"When today's generation reads Jack's books or they listen to the music created by some of us, I believe that they see there is a different way of approaching today's life and today's sometimes seeming hopelessness that can provide answers."
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David Amram
"The idea of the peace movement and of people who spent their entire lives trying to have a more egalitarian, just society, suddenly became swamped by the record industry, by the new rock and roll culture, and by the idea of not trusting anyone over thirty."
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David Amram
"I wish to share and pass down some of my generation's traits, and encourage young people to create their own art, music, and literature."
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David Amram
"That by listening to some music, by reading some books, by looking at paintings, and most important by hanging out with one another - by collaborating with one another and creating your own network - you can achieve something that is much better than what is out there."
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David Amram
"There are a lot of wonderful things created in our culture that have been ignored that can speak to them."
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David Amram
"Esquire, in a July, 1957 issue, has a photograph of me playing the French horn at the Five Spot."
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David Amram
"I was part of it, and I am still part of it today in terms of what it means to a whole new generation of people who are interested in the enduring energy, achievements, spirit and creativity that exemplified our era."
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David Amram
"We had common interests in the beauty of the French language. We both had a tremendous love of jazz. We shared dreams of getting married and having a family, living in the country, leading an idyllic life."
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David Amram
"I learned from my uncle that jazz, like symphony music, was built to last."
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