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"We are stimulated to emotional response, not by works that confirm our sense of the world, but by works that challenge it."
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"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."
"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."
"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."
"Let music ignite your vivid inner colors and bring you harmony inside and out."
"A work of art has no importance whatever to society. It is only important to the individual."
"The effort of art is to keep what is interesting in existence, to recreate it in the eternal."
Explore more quotes by Joyce Carol Oates
"Where we come from in America no longer signifies. It's where we go, and what we do when we get there, that tells us who we are."
"It isn't the subjects we write about but the seriousness and subtlety of our expression that determines the worth of or effort."
"Dominique (who, like other Catamount girls, had a cache of pills for every occasion) offered me a bennie- Benzedrine?- to elevate my spirits. Adamantly I told her, No thanks! I wanted to face what's called reality with my eyes open.I've made that a principle for my life. Sometimes I wonder if this has been a wise decision."
"When we lay together, she showed me her soul, and I showed her mine, and they were the same. As you can imagine, mine was battered and bruised, tarnished like ancient metal. She scrubbed it clean. I cannot deny my own soul any more than I can deny she held it in her hands for a time."
"Lawrence is the supreme poet of Eros. No recriminations, no reproaches, no guilt, no 'morality'. For what's 'morality' but a leash around the neck? A noose? What's 'morality' but what other people want you to do, for their own, selfish, unstated purposes?"
"A mouth of no distinction but well practiced, before I entered my teens, in irony. For what is irony but the repository of hurt? And what is hurt but the repository of hope?"
"Running! If there's any activity happier, more exhilarating, more nourishing to the imagination, I can't think of what it might be. In running the mind flees with the body, the mysterious efflorescence of language seems to pulse in the brain, in rhythm with our feet and the swinging of our arms."
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