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"What the Bleep Do We Know was not written with a deaf person in mind, but when they met me, it clicked with them to have me in it. But that happens with a lot of actors in Hollywood, not just with me."
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"I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely."

"The worst thing for an actor is a director that gets on your nerves and says things that actually confuse you."

"We want the best actor, and that's why Matt Damon worked so well in this role, because he's a great actor."

"The only thing we don't do together is get in front of an actor and show any indecision at all about what we think. We don't always agree, so we meet privately, then one or the other will approach the actor."

"In discussing the process with the actors, I made it clear to them that they could improvise but that the sum total of their improvisation needed to impart certain plot points, and schematic material."

"I was an actor... or, at least, I was trying to be an actor."
Explore more quotes by Marlee Matlin

"I can hear you and I can watch your mouth move, and then I put together the sounds and the visual image, and I can understand the words as I integrate the two signals."

"Hollywood embraced me in the late '80s because there was a good project I was in and it was different. Nowadays, it's about corporate mentality, box office, youth."

"If I were offered a cochlear implant today, I would prefer not to have one. But that's not a statement about hearing aids or cochlear implants. It's about who you are."

"I got a good handshake. A lot of executives tell me I have the best handshake in Hollywood."

"What parent has it easy? I just never make the difficulty of it an obstacle. I just do it."

"The best feeling in the world is when your child comes up to you and lays their head in your lap, for no other reason but just because. I can't wait to have more."

"I've always wanted to write a book relating my experiences growing up as a deaf child in Chicago. Contrary to what people might think, it wasn't all about hearing aids and speech classes or frustrations."

"When it comes down to it, it's about who you know, and who's a fan. It's about whether you're the right age, whether you're hot or not, whether the studio is into you or not."
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