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Robert Fripp

"Michael Giles the first drummer of King Crimson, never agreed to the name King Crimson. But then, if you'd knew Michael, you would know he didn't agree to the album cover either. So maybe Michael didn't agree to the point of definition with many things."

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"Michael Giles the first drummer of King Crimson, never agreed to the name King Crimson. But then, if you'd knew Michael, you would know he didn't agree to the album cover either. So maybe Michael didn't agree to the point of definition with many things."

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Robert Fripp
"What is necessary is possible, what we want is expensive. What is unnecessary is unlikely."
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"So, you can set up an orchestra down this end of the railway station playing one particular area, and simultaneously at the other end something completely different going on. And in the middle they meet, or not, depending."
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"But above that, most mature adults can hold their attention on something for 45 minutes, whether they like it or not. But above that requires training."
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"Then certainly for a musician timing becomes something that is immediately accessible as a concept, because it's a necessity in ones everyday performance."
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Robert Fripp
"If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no."
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Robert Fripp
"I'd say that what we hear is the quality of our listening."
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Robert Fripp
"If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not?"
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Robert Fripp
"In terms of an identity, an identity reflects an individuality, by definition. And, if there is a quality present, it is recognizable and it can be named. If you can't name it, it means you don't recognize it."
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Robert Fripp
"According to USA today, the average length of an attention span of a man in America is 23 minutes."
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Robert Fripp
"Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert."
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