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Christo

"Therefore we have to go over the fact that all human beings are afraid by what is new. It is our work to convince them that they will enjoy it, and even if they don't, to allow us just for 14 days to create that work of art."

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"Therefore we have to go over the fact that all human beings are afraid by what is new. It is our work to convince them that they will enjoy it, and even if they don't, to allow us just for 14 days to create that work of art."

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"We often forget to draw a new picture because we are so busy criticizing other paintings."

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"Literature tries to express the intricate inner beauties of life. Philosophy tries to explain the intricate inner beauties and conflicts of thoughts."

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"Listen to the song of silence to understand the unsung music of the heart."

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Christo
"Therefore, when we arrive in a place and talk to new people about a new image, it is very hard for them to visualize it. That's where the drawings are very important, because at least we can show a projection of what we believe it will look like."
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Christo
"Now, there is no way to say how long some projects take, that's our principle."
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Christo
"The work of art is a scream of freedom."
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Christo
"It is not only one person's work, it's really a partnership and collaboration during all these years."
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Christo
"The other work we started in 1992, it is called Over the River, Project for the Arkansas River in the state of Colorado, we haven't got the permit yet. And, we are working at both of those, trying to get the permit. Therefore, we do not know which one will be realized next."
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Christo
"It appears to be monumental only because it's art."
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Christo
"If some of our works are symphonies, then wrapped walkways was chamber music."
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Christo
"To keep that absolute freedom we cannot be obliged to anyone."
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Christo
"People think our work is monumental because it's art, but human beings do much bigger things: they build giant airports, highways for thousands of miles, much, much bigger than what we create."
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Christo
"We have created indoor installations inside museums, like the Wrapped Floor at the Museum of Contemporary Art in Chicago in 1968, and not monumental at all by any standards."
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