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"Today each of you is the object of the other's reading, one reads in the other the unwritten story."
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"Experience is the catalyst for all great stories."

"When I was a child, I pestered my elders for stories."

"As I quietly stare off into space, eyes glazed over and brow thoughtfully taut, know that I am going about my business. I am a storyteller. Daydreaming is the best part of my job."

"The Marquis sighed. "I thought it was just a legend," he said. "Like the alligators in the sewers of New York City."Old Bailey nodded, sagely: "What, the big white buggers? They're down there. I had a friend lost a head to one of them." A moment of silence. Old Naeiley handed the statue back to the Marquis. Then he raised his hand, and snapped it, like a crocodile hand, at the Carabas. "It was OK," gurned Old Bailey with a grin that was most terrible to behold. "He had another."

"I just completed The Tenth Circle. It is an excellent mystery story surrounding a family with modern day issues."

"There are only three possible endings -aren't there? - to any story: revenge, tragedy or forgiveness. That's it. All stories end like that."

"You begin with other people's stories and end up with your own."

"Storytelling entails weaving a narrative out of the disturbing, strange, inspirational, and unremarkable detritus of life. By picking among the litter of our personal experiences to select evocative anecdotes to weave into a narrative format, we reveal which of life's legendary offerings prove the most sublime to us. Acts of omission are momentous. Our narration of personal sketches divulge what factoids inspire us or do not stir us into action, or contain obdurate truths that prove virtually impossible to crack."

"Sometimes a book isn't a heartbreaking work of staggering genius.Sometimes it's the only story you knew how to tell."
Explore more quotes by Italo Calvino

"The satirist is prevented by repulsion from gaining a better knowledge of the world he is attracted to, yet he is forced by attraction to concern himself with the world that repels him."

"The catalogue of forms is endless: until every shape has found its city, new cities will continue to be born. When the forms exhaust their variety and come apart, the end of cities begins."

"Journeys to relive your past?' was the Khan's question at this point, a question which could also have been formulated: 'Journeys to recover your future?'And Marco's answer was: 'Elsewhere is a negative mirror. The traveller recognizes the little that is his, discovering the much he has not had and willnever have."

"Your house, being the place in which you read, can tell us the position books occupy in your life, if they are a defense you set up to keep the outside world at a distance, if they area dream into which you sink as if into a drug, or bridges you cast toward the outside, toward the world that interests you so much that you want to multiply and extend its dimensions through books."

"Seek and learn to recognize who and what, in the midst of the inferno, are not inferno, then make them endure, give them space."

"Marco's answers and objections took their place in a discourse already proceeding on its own, in the Great Khan's head. That is to say, between the two of them it did not matter whether questions and solutions were uttered aloud or whether each of the two went on pondering in silence. In fact, they were silent, their eyes half-closed, reclining on cushions, swaying in hammocks, smoking long amber pipes.Marco Polo imagined answering (or Kublai Khan imagined his answer) that the more one was lost in unfamiliar quarters of distant cities, the more one understood the other cities he had crossed to arrive there."

"The real protagonist of the story, however, is the magic ring, because it is the movements of the ring that determine those of the characters and because it is the ring that establishes the relationships between them. Around the magic object there forms a kind of force field that is in fact the territory of the story itself. We might say that the magic object is an outward and visible sign that reveals the connection between people or between events. . . We might even say that in a narrative any object is always magic."
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