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Don DeLillo

"The modern meaning of life's end-when does it end? How does it end? How should it end? What is the value of life? How do we measure it?"

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"The modern meaning of life's end-when does it end? How does it end? How should it end? What is the value of life? How do we measure it?"

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Amber Hurdle

"The condition you're in at this moment is the product of your previous thoughts, to change your condition, change your thoughts."

Personal Development

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Amber Hurdle

"And there wasn't anything he wanted to do that he couldn't make time for. What did he have to mope about, really? What more did he want? Love, he could hear Eve saying. Purpose. Love. Purpose. Those are the things that you can't plan for. Those are the things that just happen. And what if they don't happen? Do you spend your whole life pining for them? Waiting to be happy?"

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Amber Hurdle

"Eleanor had never thought about killing herself " ever " but she thought a lot about stopping."

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Amber Hurdle

"No man enjoys the true taste of life, but he who is ready and willing to quit it."

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Amber Hurdle

"An artist is he for whom the goal and center of life is to form his mind."

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Amber Hurdle

"Her pupils were at once her salvation and her despair. They gave her the means of supporting life, but they made life hardly worth supporting."

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Amber Hurdle

"The question isn't who will be with me in life, rather how will I create the ending I am proud of?"

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Amber Hurdle

"To say something great, you must first stop trying to say something great! Sometimes struggling is an obstacle to reach the target! Flow like a river, calmly, naturally, enjoying the present moment, without thinking of the ocean and finally you will be there!"

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Amber Hurdle

"If you have never met a woman that would never give up, then you have never met a woman that has seen miracles."

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Amber Hurdle

"People who truly live their lives don't have time to complain or judge others. They're too busy enjoying life and love and everything in between!"

Explore more quotes by Don DeLillo

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Don DeLillo
"People who are powerless make an open theater of violence."
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Don DeLillo
"The writer is the person who stands outside society, independent of affiliation and independent of influence."
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Don DeLillo
"I slept for four years. I didn't study much of anything. I majored in something called communication arts."
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Don DeLillo
"I felt Joyce was an influence on my fiction, but in a very general way, as a kind of inspiration and a model for the beauty of language."
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Don DeLillo
"There's a connection between the advances that are made in technology and the sense of primitive fear people develop in response to it."
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Don DeLillo
"Too young for Korea, too old for Vietnam."
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Don DeLillo
"Doesn't seem quite real. It's not meaningful. I can't quite imagine myself being 73. That's the age my father was! [Laughter.] How can I be his age? It's weird."
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Don DeLillo
"Ordinary moments make the life. This is what she knew to be trustworthy and this is what I learned, eventually, from those years we spent together. No leaps or falls. I inhale the little drizzly details of the past and know who I am. What I failed to know before is clearer now, filtered up through time, an experience belonging to no one else, not remotely, no one, anyone, ever. I watch her use the roller to remove lint from her cloth coat. Define coat, I tell myself. Define time, define space."
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Don DeLillo
"The plane had lost power in all three engines, dropped from thirty-four thousand feet to twelve thousand feet. Something like four miles. When the steep glide began, people rose, fell, collided, swam in their seats. Then the serious screaming and moaning began. Almost immediately a voice from the flight deck was heard on the intercom: 'We're falling out of the sky! We're going down! We're a silver gleaming death machine!' This outburst struck the passengers as an all but total breakdown of authority, competence and command presence and it brought on a round of fresh and desperate wailing."
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Don DeLillo
"How strange it is. We have these deep terrible lingering fears about ourselves and the people we love. Yet we walk around, talk to people, eat and drink. We manage to function. The feelings are deep and real. Shouldn't they paralyze us? How is it we can survive them, at least for a little while? We drive a car, we teach a class. How is it no one sees how deeply afraid we were, last night, this morning? Is it something we all hide from each other, by mutual consent? Or do we share the same secret without knowing it? Wear the same disguise?"
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