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Brian Ferneyhough

"The idea of 'machine assemblage' is, especially, very alien to my sensibility, since it suggests a relative indifference of the strata to one another during the process of construction."

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"The idea of 'machine assemblage' is, especially, very alien to my sensibility, since it suggests a relative indifference of the strata to one another during the process of construction."

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Amber Hurdle

"A celibate clergy is an especially good idea, because it tends to suppress any hereditary propensity toward fanaticism."

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Amber Hurdle

"I hate the idea of getting in a building that someone else has designed and having to do something to it yourself to sort of dress it up - it's like using presets in your tracks."

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Amber Hurdle

"I had no idea what I was going to do when they threw me out of school."

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Amber Hurdle

"Sometime I write a song off a central idea, instead of emotion."

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Amber Hurdle

"If it's a good idea, go ahead and do it. It's much easier to apologize than it is to get permission."

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Amber Hurdle

"We decided we didn't want to do a musical for TV because the idea of writing a musical that would be seen on television once seems insane."

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Amber Hurdle

"The idea of licking stamps seemed great fun for me."

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Amber Hurdle

"I've always liked the effect of having somebody in there who hadn't the faintest idea what was going on."

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Amber Hurdle

"I have been agreeably disappointed in my idea of the camels. They are far from unpleasant to ride; in fact, it is much less fatiguing than riding on horseback, and even with the little practice I have yet had, I find it shakes me less."

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Amber Hurdle

"What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you."

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Brian Ferneyhough
"The past nine years in San Diego have represented such a period of questioning."
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Brian Ferneyhough
"This was possible only by dint of extended periods of frequently quite painful reflection and digestion."
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Brian Ferneyhough
"Hence my obstinate emphasis on stylistic continuity from work to work rather than specific sibling relationships between the individual work and other members of its stylistic 'family' in the world outside."
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Brian Ferneyhough
"So: we're all tired. Now what? Manuscripts written in Club Med?"
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Brian Ferneyhough
"In my model, important interference phenomena arise when individual strata come into contact. These chaotic fluctuations are, I suppose, what my music is really 'about.'"
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Brian Ferneyhough
"There would seem to be a limit, even for an art preoccupied with boundaries and transgressions, beyond which a work reaches its breaking point and becomes an actual failure, a mere experimentation."
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Brian Ferneyhough
"If the work of art is to continue pursuing the vision of both being in and of the world but nevertheless in some fashion being more than just one more object to the mounting clutter, this is the specific point, I think, where this must be assured."
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Brian Ferneyhough
"I am certainly not arguing for the de facto autonomy of the individual work, even though there is much to be said for making the attempt to see it in that light as one facet of the reception process."
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Brian Ferneyhough
"Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries."
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Brian Ferneyhough
"When I speak of "cycles," I am referring to lengthy intervals of relative homogeneity, if not in the resolving of problems, than at least with respect to the consistency of their capacity to productively irritate."
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