top of page

"The idea of 'machine assemblage' is, especially, very alien to my sensibility, since it suggests a relative indifference of the strata to one another during the process of construction."
Standard
Customized
Exlpore more Idea quotes

"A celibate clergy is an especially good idea, because it tends to suppress any hereditary propensity toward fanaticism."

"I had no idea what I was going to do when they threw me out of school."

"If it's a good idea, go ahead and do it. It's much easier to apologize than it is to get permission."
Idea,

"We decided we didn't want to do a musical for TV because the idea of writing a musical that would be seen on television once seems insane."

"I've always liked the effect of having somebody in there who hadn't the faintest idea what was going on."

"What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you."
Explore more quotes by Brian Ferneyhough


"This was possible only by dint of extended periods of frequently quite painful reflection and digestion."


"Hence my obstinate emphasis on stylistic continuity from work to work rather than specific sibling relationships between the individual work and other members of its stylistic 'family' in the world outside."


"In my model, important interference phenomena arise when individual strata come into contact. These chaotic fluctuations are, I suppose, what my music is really 'about.'"


"There would seem to be a limit, even for an art preoccupied with boundaries and transgressions, beyond which a work reaches its breaking point and becomes an actual failure, a mere experimentation."


"If the work of art is to continue pursuing the vision of both being in and of the world but nevertheless in some fashion being more than just one more object to the mounting clutter, this is the specific point, I think, where this must be assured."


"I am certainly not arguing for the de facto autonomy of the individual work, even though there is much to be said for making the attempt to see it in that light as one facet of the reception process."


"Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries."


"When I speak of "cycles," I am referring to lengthy intervals of relative homogeneity, if not in the resolving of problems, than at least with respect to the consistency of their capacity to productively irritate."
bottom of page