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Ian Hamilton Finlay

"For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not."

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"For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not."

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Amber Hurdle

"It is strange how a scrap of poetry works in the mind and makes the legs move in time to it along the road."

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Amber Hurdle

"Poetry is a sword of lightning, ever unsheathed, which consumes the scabbard that would contain it."

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Amber Hurdle

"I don't think of poetry as a 'rational' activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me."

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Amber Hurdle

"Women do not have as great a need for poetry because their own essence is poetry."

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Amber Hurdle

"One could do worse than be a swinger of birches."

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Amber Hurdle

"Now begins to rise in me the familiar rhythm; words that have lain dormant now lift, now toss their crests, and fall and rise, and falls again. I am a poet, yes. Surely I am a great poet."

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Amber Hurdle

"There is no Frigate like a book to take us lands away nor any coursers like a page of prancing Poetry."

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Amber Hurdle

"Will the veiled sister pray for Those who walk in darkness, who chose thee and oppose thee, Those who are torn on the horn between season and season, time and time, between Hour and hour, word and word, power and power, those who wait In darkness? Will the veiled sister pray For children at the gate Who will not go away and cannot pray: Pray for those who chose and oppose."

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Amber Hurdle

"The words of the true poems give you more than poems, they give you to form for yourself poems, religions, politics, war, peace, behavior, histories, essays, daily life, & everything else, they balance the ranks, colors, races, creeds, and the sexes, they do not seek beauty, they are sought, forever touching them or close upon them follows beauty, longing, fain, love-sick. They prepare for death, yet they are not the finish, but rather the outset, they bring none of his or her terminus or to be content & full, whom they take they take into space to behold the birth of the stars, to learn one of the meanings, to launch off with absolute faith, to sweep through the ceaseless rings & never be quiet again."

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Amber Hurdle

"Death, like a host, comes smiling to the door;Smiling, he greets us, on that tranquil shoreWhere neither piping bird nor peeping dawnDisturbs the eternal sleep,But in the stillness far withdrawnOur dreamless rest for evermore we keep."

Explore more quotes by Ian Hamilton Finlay

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Ian Hamilton Finlay
"However, I don't feel the world is looking over my shoulder when I am working - I never think about this at all. What I think about is trying to make my work pure, and if it is pure then it can be accessible. It is quite straight forward really."
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Ian Hamilton Finlay
"My position is that since the non-secular status of my garden is not recognised by the law; by the world of the public, then the garden can only be private. So, I closed the garden to the public."
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Ian Hamilton Finlay
"I have often said that just as the French revolution, for instance, understood itself through antiquity, I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time."
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Ian Hamilton Finlay
"Little Sparta is a garden in the traditional sense. It is perhaps not like other modern gardens, but I think that other times would have had no difficulty with it."
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Ian Hamilton Finlay
"But I can only write what the muse allows me to write. I cannot choose, I can only do what I am given, and I feel pleased when I feel close to concrete poetry - still."
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Ian Hamilton Finlay
"I am not a modern man, I am just a wee old fashioned one."
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Ian Hamilton Finlay
"I came to these mediums through having the garden, and of course, people who have designed gardens have always worked in collaboration, and never made their own inscriptions."
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Ian Hamilton Finlay
"If the work is pure then you have to think it could be understood. If it is not understood it doesn't mean that your work is not accessible. It doesn't worry me, but, of course, I would be pleased if people liked my work."
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Ian Hamilton Finlay
"The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture."
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Ian Hamilton Finlay
"No, I don't make my work in order to challenge or confuse other people's expectations - I only do what I find natural."
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