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Joel Coen

"The architecture of a story can be a little bit different if it's a true story."

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"The architecture of a story can be a little bit different if it's a true story."

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Amber Hurdle

"We shape our buildings, thereafter they shape us."

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Amber Hurdle

"There are no rules of architecture for a castle in the clouds."

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Amber Hurdle

"Architecture has recorded the great ideas of the human race. Not only every religious symbol, but every human thought has its page in that vast book."

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Amber Hurdle

"If you put enough closets together, you have enough space for a room. If you put enough rooms together, you have enough room for a house. If you put enough houses together, you have space for a town, then a city, then a nation, then a world."

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Amber Hurdle

"I was planning to go into architecture. But when I arrived, architecture was filled up. Acting was right next to it, so I signed up for acting instead."

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Amber Hurdle

"All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks."

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Amber Hurdle

"It seems a fantastic paradox, but it is nevertheless a most important truth, that no architecture can be truly noble which is not imperfect."

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Amber Hurdle

"Modern architecture predominately specializes in designing what are essentially dimly lit caves."

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Amber Hurdle

"Trying to describe something musical is like dancing to architecture, it's really difficult."

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Amber Hurdle

"You can just drift unhappily towards this vision of heaven on earth, and ultimately that is what architecture is a vision of: Heaven on earth, at it's best."

Explore more quotes by Joel Coen

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Joel Coen
"I guess everything having to do with your background has some influence on how you tell stories but it's hard to parse how growing up in a Jewish community in Minnesota really affected it."
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Joel Coen
"We have an uncanny ability to make birds do what we want them to do. In Blood Simple there's a shot from the bumper of a car and it's going up this road and a huge flock of birds takes off at the perfect moment."
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Joel Coen
"If the material is challenging, it forces you to challenge yourself when handling it."
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Joel Coen
"The point at which we worked with some of these actors, they weren't really stars yet. Nicolas Cage was not a big star when we did Raising Arizona. A lot of these people were also virtually unknown, too, when we worked with them first."
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Joel Coen
"The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them."
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Joel Coen
"I'd be perfectly happy never to have to answer anything again about how I work with Ethan, or whether we have arguments, or... you know what I mean? I've been answering those questions for 20 years. I suppose it's interesting to people."
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Joel Coen
"And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before."
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Joel Coen
"You're doing it to make the character as specific as possible, so that it's a specific individual that you're talking about, not that whole class of people."
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Joel Coen
"Maybe our telling of the story wasn't as clear as it should have been, but I don't think that's true. In terms of understanding the story, it comes across."
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Joel Coen
"The question is: Where would it get you if something that's a little bit ambiguous in the movie is made clear? It doesn't get you anywhere."
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