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F. Scott Fitzgerald

"Under the glass porte-cochA re of a theatre Amory stood, watching the first great drops of rain splatter down and flatten to dark stains on the sidewalk. The air became grey and opalescent; a solitary light suddenly outlined a window over the way; then another light; then a hundred more danced and glimmered into vision. Under his feet a thick, iron-studded skylight turned yellow; in the street the lamps of the taxicabs sent out glistening sheens along the already black pavement. The unwelcome November rain had perversely stolen the day's last hour and pawned it with that ancient fence, the night."

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"Under the glass porte-cochA re of a theatre Amory stood, watching the first great drops of rain splatter down and flatten to dark stains on the sidewalk. The air became grey and opalescent; a solitary light suddenly outlined a window over the way; then another light; then a hundred more danced and glimmered into vision. Under his feet a thick, iron-studded skylight turned yellow; in the street the lamps of the taxicabs sent out glistening sheens along the already black pavement. The unwelcome November rain had perversely stolen the day's last hour and pawned it with that ancient fence, the night."

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"The night had darkened to the murky sort where the air hung like descending clouds and the overhead branches made the liquid darkness even more impenetrable."

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"All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that's what ultimately works the best for me."

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"It's those moments, those odd moments that you look for and sometimes by creating this kind of loose atmosphere you find those little moments that somehow mean a lot to an audience when they really register right."

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"The sky was like ebony and the only illumination was the harsh white light of the central streetlamp, which cast shadows so hard it seemed you might cut yourself on them."

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"The smog curled between the streetlamps and the spokes of the wrought iron framework. It seemed through your body and into your bones."

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"My courage is faith--faith in the eternal resilience of me--that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high and my eyes wide--not necessarily any silly smiling. Oh, I've been through hell without a whine quite often--and the female hell is deadlier than the male."
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"Isn't Hollywood a dump - in the human sense of the word. A hideous town, pointed up by the insulting gardens of its rich, full of the human spirit at a new low of debasement."
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"It is sadder to find the past again and find it inadequate to the present than it is to have it elude you and remain forever a harmonious conception of memory."
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"Tired, tired with nothing, tired with everything, tired with the world's weight he had never chosen to bear."
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"The sheath that held her soul had assumed significance - that was all. She was a sun, radiant, growing, gathering light and storing it - then after an eternity pouring it forth in a glance, the fragment of a sentence, to that part of him that cherished all beauty and all illusion."
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"No decent career was ever founded on a public."
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"He was in love with every pretty woman he saw now, their forms at a distance, their shadows on the walls."
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"The idea that to make a man work you've got to hold gold in front of his eyes is a growth, not an axiom. We've done that for so long that we've forgotten there's any other way."
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