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Gavin Bryars

"I remember once, when I started writing for the alto saxophone, a saxophonist told me to think of it as being like a cross between an oboe and a viola, but louder."

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"I remember once, when I started writing for the alto saxophone, a saxophonist told me to think of it as being like a cross between an oboe and a viola, but louder."

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Gavin Bryars
"Like an apparently strict musical form it breaks the five minute whole into its structural parts - a descriptive preamble, the action of taking the cards, the development of the cards' manipulation and the revelation of what has been achieved."
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"Still, American composers working in France have had a pretty hard time."
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Gavin Bryars
"Writing tonal music now, you are not writing into the 19th Century."
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"As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien."
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Gavin Bryars
"I know that John Adams has had a very hard time directing French ensembles."
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Gavin Bryars
"I've heard though that there is a younger generation of tonal French composers who are reacting with vigour."
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Gavin Bryars
"What was once underground is now coming to the surface."
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Gavin Bryars
"There's another way of making music, by touching the lives and feelings of ordinary people."
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Gavin Bryars
"I currently spend a lot of time thinking about orchestration and every detail of a piece."
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Gavin Bryars
"Over the years I have tried to develop something which is technically assured."
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