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"I often concentrate on the eyes and lips, they are great indicators of mood and feeling, and I find that I can project character into my portraits by bringing the viewer's attention to these areas."
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"The psychoanalysis of neurotics has taught us to recognize the intimate connection between wetting the bed and the character trait of ambition."

"Always the wild child, conceived in flames, born of fire. Drawn to the forbidden, witch, warlock, burning stones. Her blood is made of moonlight; part dark, part light. Her heart, it's a sword; fiercely loyal and will fight to the death for those whom she loves. You can throw her in the fire, she always returns as a flame: the fervor is her anchor, her safe-haven... her blood."

"Playing the part of a charitable soul was only for those who were afraid of taking a stand in life. It is always far easier to have faith in your own goodness than to confront others and fight for your rights. It is always easier to hear an insult and not retaliate than have the courage to fight back against someone stronger than yourself; we can always say we're not hurt by the stones others throw at us, and it's only at night - when we're alone and our wife or our husband or our school friend is asleep - that we can silently grieve over our own cowardice."

"A sweet soul will take you further than a sweet tongue."

"To see a man's true colors, tell him you're saving yourself for marriage. To see a woman's true colors, tell her you're poor."

"Of Manners gentle, of Affections mild; In Wit a man; Simplicity, a child."

"An evil person will have evil friends. A righteous person will have righteous friends. The company you keep is hidden treasure or masked demise."

"Martial arts is not about fighting; it's about building character."
Explore more quotes by Robert Ryan


"I sometimes use a lot of light greens and greys when I feel there is sadness in the painting."


"I know intuitively when the work is right, no training can teach you this, it is simply a matter of feeling."


"I often concentrate on the eyes and lips, they are great indicators of mood and feeling, and I find that I can project character into my portraits by bringing the viewer's attention to these areas."
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