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Annie Dillard

"The feeling that the work is magnificent, and the feeling that it is abominable, are both mosquitoes to be repelled, ignored, or killed, but not indulged."

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"The feeling that the work is magnificent, and the feeling that it is abominable, are both mosquitoes to be repelled, ignored, or killed, but not indulged."

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"Music gives life to the soul."

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"Music gives strength to the soul."

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"Poetry most often communicates emotions, not directly, but by creating imaginatively the grounds for those emotions. It therefore communicates something more than the emotion; only by means of that something more does it communicate the emotion at all."

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"We often forget to draw a new picture because we are so busy criticizing other paintings."

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"A beautiful poem is nothing but a mirror of philosophy through which we can see life's pure beauty."

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"Poets create a beautiful blue sky where you can fly with wings of imagination and find yourself again and again."

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"The object of art is to enhance the beauty, imaginations and joy of life."

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"A picture may be worth a thousand words, but those well-arranged words are worth a multi-million-dollar motion picture."

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"Literature tries to express the intricate inner beauties of life. Philosophy tries to explain the intricate inner beauties and conflicts of thoughts."

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"Listen to the song of silence to understand the unsung music of the heart."

Explore more quotes by Annie Dillard

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Annie Dillard
"It is ironic that the one thing that all religions recognize as separating us from our creator, our very self-consciousness, is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution."
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Annie Dillard
"There are 1,198,500,000 people alive now in China. To get a feel for what that means, simply take yourself - in all your singularity, importance, complexity, and love - and multiply by 1,198,500,000. See? Nothing to it."
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Annie Dillard
"The mountains are great stone bells; they clang together like nuns. Who shushed the stars? There are a thousand million galaxies easily seen in the Palomar reflector; collisions between and among them do, of course, occur. But these collisions are very long and silent slides. Billions of stars sift amont each other untouched, too distant even to be moved, heedless as always, hushed. The sea pronounces something, over and over, in a hoarse whisper; I cannot quite make it out. But God knows I have tried."
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Annie Dillard
"I am a sacrifice bound with cords to the horns of the world's rock altar, waiting for worms. I take a deep breath, I open my eyes. Looking, I see there are worms in the horns of the altar like live maggots in amber, there are shells of worms in the rock and moths flapping at my eyes. A wind from no place rises. A sense of the real exults me; the cords loosen: I walk on my way."
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Annie Dillard
"Buddhism notes that it is always a mistake to think your soul can go it alone."
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Annie Dillard
"You can live as a particle crashing about and colliding in a welter of materials with god, or you can live as a particle crashing about and colliding in a welter of materials without god. But you cannot live outside the welter of colliding materials."
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Annie Dillard
"For writing a first draft requires from the writer a peculiar internal state which ordinary life does not induce. ... how to set yourself spinning?"
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Annie Dillard
"So it is that a writer writes many books. In each book, he intended several urgent and vivid points, many of which he sacrificed as the book's form hardened."
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Annie Dillard
"A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life-the nation, the city, the neighborhood, the house where the family lives-as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them. I breathed the air of history all unaware, and walked oblivious through its littered layers."
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Annie Dillard
"On plenty of days the writer can write three or four pages, and on plenty of other days he concludes he must throw them away."
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