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Humphrey Lyttelton

"I used to look at these pictures of trumpeters pointing their instrument to the ceiling. Stunning pictures, but if you play the trumpet and point it upwards, all the spit comes back into your mouth!"

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"I used to look at these pictures of trumpeters pointing their instrument to the ceiling. Stunning pictures, but if you play the trumpet and point it upwards, all the spit comes back into your mouth!"

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Asa Don Brown

"That is just what life is when it is beautiful and happy - a game! Naturally, one can also do all kinds of other things with it, make a duty of it, or a battleground, or a prison, but that does not make it any prettier."

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Asa Don Brown

"I held out a lead figurine of Hades-the little Mythomagic statue Nico had abandoned when he fled camp last winter.Nico hesitated. "I don't play that game anymore. It's for kids.""It's got four thousand attack power," I coaxed."Five thousand," Nico corrected. "But only if your opponent attacks first."I smiled. "Maybe it's okay to still be a kid once in a while."

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Asa Don Brown

"Hey, pretty book, why don't you lie in my lap awhile?"

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Asa Don Brown

"Kids. They're not tin cans or sheetrock. They're laughing machines. Wind them up and watch them go."

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Asa Don Brown

"When I play with my cat, who knows whether she is not amusing herself with me more than I with her."

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Asa Don Brown

"The drummer; he inspired me to play like no one else I have ever met."

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Asa Don Brown

"I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along."

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Asa Don Brown

"When you can hear a violinist, that is better than you, then you learn from him, because if you play with somebody who is worse than you, then you go down."

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Asa Don Brown

"I still like to play the blues more than anything else."

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Asa Don Brown

"I don't get called very often to play innocents."

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"An uncle gave me a side drum and my mother decided I should have lessons."
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"For me, it's a bigger challenge, it's much harder to do and much more rewarding to do well, then just to think up stuff of your own, hit or miss, because you've got to see to it that you don't torpedo any of his punch lines."
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Humphrey Lyttelton
"I just stroll in right before the recording goes on."
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Humphrey Lyttelton
"The secret of it is to read what you've got in front of you. Don't, if you suspect that something has a double meaning, don't pause. Don't put on a leery vocal expression if you know what I mean on radio. Don't sort of do anything other than read it."
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Humphrey Lyttelton
"I did the pilot, and when they came through and said they were going to put it on the air, I had already some dates in the book with my band and so on. So Barry did the first one, he may have done a few more than the first one in the series, and I took it up from then."
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Humphrey Lyttelton
"Well, I had started a program which is even longer running than this one in 1967 which was a jazz program called The Best of Jazz and that still goes out on Monday nights. That's been going for 33 years or something."
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Humphrey Lyttelton
"I started on the fringes of journalism as a cartoonist on The Daily Mail."
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Humphrey Lyttelton
"It is a very wide range of people that we get for the show."
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Humphrey Lyttelton
"I used to look at these pictures of trumpeters pointing their instrument to the ceiling. Stunning pictures, but if you play the trumpet and point it upwards, all the spit comes back into your mouth!"
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