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John Eaton

"I think a lot of composers get into trouble just making up a plot and expecting an audience to follow that."

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"I think a lot of composers get into trouble just making up a plot and expecting an audience to follow that."

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Amber Hurdle

"There's almost always a point in a book where something happens that triggers the rest of the plot."

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Amber Hurdle

"I think a lot of composers get into trouble just making up a plot and expecting an audience to follow that."

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John Eaton
"Well, opera began with an intent to resuscitate Greek drama, that is, modern opera as we know it."
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John Eaton
"However, yes, especially as one gets older, you know, you really hope that your music will become more generally available, even though some of the performances might be riddled with faults."
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John Eaton
"I'm thinking in terms of a point of departure, a field of action for performers to express an expressive need of mine which hopefully the context of music would convey."
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John Eaton
"It's not important to me to found a school; it's not important to me to have disciples."
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John Eaton
"We need it to capture the energy of contemporary life."
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John Eaton
"I really write for people."
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John Eaton
"If you look at the timing of many of the Greek dramas from the theatrical point of view, it's all off, and I think the reason for that is that music played a very important part."
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John Eaton
"Nevertheless, one doesn't have time to think, oh, well, this is a quarter tone sharp, or flat."
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John Eaton
"Well, the very best operas are the ones written by the very best composers."
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John Eaton
"Well, let me, first of all, say, that as a microtonal composer, I've never been much of a theorist."
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