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John Eaton

"I think a lot of composers get into trouble just making up a plot and expecting an audience to follow that."

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"I think a lot of composers get into trouble just making up a plot and expecting an audience to follow that."

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Asa Don Brown

"There's almost always a point in a book where something happens that triggers the rest of the plot."

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Asa Don Brown

"I think a lot of composers get into trouble just making up a plot and expecting an audience to follow that."

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John Eaton
"However, yes, especially as one gets older, you know, you really hope that your music will become more generally available, even though some of the performances might be riddled with faults."
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John Eaton
"In other words, I think that if an audience listens to something as an experience of how in tune it is or something of that kind, that the whole point is somehow being missed, and the music has failed."
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John Eaton
"I want the audience to be so involved in the sweep of the music."
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John Eaton
"Nevertheless, one doesn't have time to think, oh, well, this is a quarter tone sharp, or flat."
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John Eaton
"I'm thinking in terms of a point of departure, a field of action for performers to express an expressive need of mine which hopefully the context of music would convey."
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John Eaton
"It's not important to me to found a school; it's not important to me to have disciples."
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John Eaton
"Well, let me, first of all, say, that as a microtonal composer, I've never been much of a theorist."
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John Eaton
"We need to open up the future. We also need to keep everything valuable from the past."
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John Eaton
"We need it to capture the energy of contemporary life."
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John Eaton
"I've just simply used what I've used because of the great, great expressive potential of it."
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