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Ben Shahn

"Of course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know."

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"Of course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know."

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Asa Don Brown

"There are goods so opposed that we cannot seize both, but, by too much prudence, may pass between them at too great a distance to reach either."

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Asa Don Brown

"It is only in our decisions that we are important."

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Asa Don Brown

"You must not make hasty decisions because they make you do what you would not have done normally."

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Asa Don Brown

"The decision that has to be made was whether it was material, whether he knew he was lying under oath, whether he did it willfully. I think that's required of any prosecutor who is charged with an investigation of this."

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Asa Don Brown

"Quick decisions are unsafe decisions."

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Asa Don Brown

"One thing that most comic artists avoid is showing decisions. They show action, sure, and they show results, but they don't show (because it's difficult to show) the hero or the villain making a choice."

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Asa Don Brown

"It takes time to persuade men to do even what is for their own good."

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Asa Don Brown

"See that the President, the Cabinet and staff are informed. If cut out of the information flow, their decisions may be poor, not made, or not confidently or persuasively implemented."

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Asa Don Brown

"In difficult moments it's sometimes a good idea to ask yourself what it is you most want to be doing and consider how it can be achieved. If it can't, move on to the second best thing."

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Asa Don Brown

"The offhand decision of some commonplace mind high in office at a critical moment influences the course of events for a hundred years."

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Ben Shahn
"So, I was offered this job to come down there but first it was suggested that I take a trip around the country in the areas in which we worked to see what it's all about, and I tell you that was a revelation to me."
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Ben Shahn
"I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know."
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Ben Shahn
"Some time ago, we went to Asia and took a camera along, and I began to do what I'd done even years ago doing people. I couldn't get interested in it. And I did hundreds of photographs of details of the monuments as sculpture."
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Ben Shahn
"I've been asked a great deal about the influence I've had with my work and it's impossible to say, you know."
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Ben Shahn
"I still love to look at photographs but I couldn't do it myself anymore."
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Ben Shahn
"In '38, this time I did a job for Mr. Stryker. I went on his payroll at about half the salary I was getting before, to cover what he called Harvest in Ohio."
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Ben Shahn
"I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that."
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Ben Shahn
"I was so impressed with the work we were doing and I was very involved ideologically in photography - that I arranged an exhibition at the College Art Association. The first exhibition I picked the photographs and so on and we had an exhibition in New York."
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Ben Shahn
"In the South or in the mine country, wherever you point the camera there is a picture."
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Ben Shahn
"Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish."
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