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John Dykstra

"George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that."

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"George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that."

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"When the reality looks magnificent, a real art of photography has only one choice: To capture this beauty magnificently!"

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"I was an artistic dilettante for a while, in photography and collage and the visual arts."

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"Within two hours of where I live, you have mountains and desert as location. I like the natural elements that abstract into light, texture, shape and shadow."

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"Most of the stories I have covered in 45 years have been gray stories."

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"With the selfies, a photographer has finally found his place in a photograph."

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"I've got a great collection of photography."

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"I always say that I don't want to be sentimental, that the photographs shouldn't be sentimental, and yet, I am conscious of my sentimentality."

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"Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child."

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"She glances at the photo, and the pilot light of memory flickers in her eyes."

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Donna Grant

"I've been working with photography for many years."

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Explore more quotes by John Dykstra

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John Dykstra
"I had done a lot of rock 'n' roll photography when I was in college. I was one of many photographers who worked for The Doors, Jefferson Airplane, and all of these rock 'n' roll bands."

College

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John Dykstra
"Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you."

Being

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John Dykstra
"Because I come from that old-school optics environment, I know stuff about depth of field and camera movement and things that are not necessarily a part of the curriculum for people who started on a box and have never done anything that wasn't on a box."

People

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John Dykstra
"In the first Spider-Man, at the end of the movie, Peter Parker had to deny himself a relationship with a girl that he's in love with. The very next thing that happens is that he's swinging through the city."

Love

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John Dykstra
"I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on."

Correction

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John Dykstra
"You had to make a camera look like it's traveling at 300 mph, but you couldn't make it actually travel at 300 mph so you had to slow everything down and build devices to do that. So you were constantly engineering."

Travel

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John Dykstra
"Digital imaging has untied our hands with regards to technical limitations. We no longer have to be arbiters of technology; we get to participate in the interpretation of technology into creative content."

Technology

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John Dykstra
"It's very much like filmmaking always is-you're always asked to do something that you're not sure you know how to do. So you make an educated guess as to what you think will work and you hope between that and plan B, that you can end up with a product that's really good."

Work

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John Dykstra
"Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image."

Contrast

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John Dykstra
"I like engineering, but I love the creative input."

Love

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