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John Dykstra

"George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that."

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"George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that."

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Amber Hurdle

"The problem of direct colour photography has been facing us since the turn of the last century."

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Amber Hurdle

"A taste for simplicity cannot endure for long."

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Amber Hurdle

"For me the printing process is part of the magic of photography. It's that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom."

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Amber Hurdle

"All photographs are memento mori. To take a photograph is to participate in another person's (or thing's) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time's relentless melt."

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Amber Hurdle

"Actually, when I first started dabbling in photography, I was still working for my parents as a salesman."

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Amber Hurdle

"Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk."

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Amber Hurdle

"Wherever there is light, one can photograph."

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Amber Hurdle

"Within two hours of where I live, you have mountains and desert as location. I like the natural elements that abstract into light, texture, shape and shadow."

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Amber Hurdle

"Now to consult the rules of composition before making a picture is a little like consulting the law of gravitation before going for a walk. Such rules and laws are deduced from the accomplished fact; they are the products of reflection."

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Amber Hurdle

"The camera makes you forget you're there. It's not like you are hiding but you forget, you are just looking so much."

Explore more quotes by John Dykstra

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John Dykstra
"I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on."
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John Dykstra
"I had done a lot of rock 'n' roll photography when I was in college. I was one of many photographers who worked for The Doors, Jefferson Airplane, and all of these rock 'n' roll bands."
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John Dykstra
"Digital imaging has untied our hands with regards to technical limitations. We no longer have to be arbiters of technology; we get to participate in the interpretation of technology into creative content."
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John Dykstra
"We stayed there 24 hours a day. We lived and ate and slept that movie. We were enthusiastic, not just because of the movie, but because we had such a great collaborative team. We had a really good time. It was very much a family."
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John Dykstra
"I like engineering, but I love the creative input."
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John Dykstra
"As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate."
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John Dykstra
"Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you."
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John Dykstra
"In the first Spider-Man, at the end of the movie, Peter Parker had to deny himself a relationship with a girl that he's in love with. The very next thing that happens is that he's swinging through the city."
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John Dykstra
"It's an embarrassment of riches because you have directors who don't better. You end up with so much stuff going on the screen that you don't know where to look, and that's what I consider self-indulgent."
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John Dykstra
"Because I come from that old-school optics environment, I know stuff about depth of field and camera movement and things that are not necessarily a part of the curriculum for people who started on a box and have never done anything that wasn't on a box."
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