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Anne Dudley

"Film scores are often based on short themes, and it helps if you've got some way of developing these themes and making them sometimes last 4 minutes and sometimes last 40 seconds. One ends up doing it subconsciously."

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"Film scores are often based on short themes, and it helps if you've got some way of developing these themes and making them sometimes last 4 minutes and sometimes last 40 seconds. One ends up doing it subconsciously."

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Amber Hurdle

"We're still working out the details, but I'd be delighted to do the film. The problem at the moment is my busy schedule. Shooting on this film has been extended by a month, but I need to be in the U.S. by Dec. 20."

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Amber Hurdle

"My focus never wavered; I never accepted the film was not going to be finished."

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Amber Hurdle

"Kenya doesn't have much of an infrastructure for hosting a film."

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Amber Hurdle

"Most film directors do not come up with their own subjects or write their own screenplays."

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Amber Hurdle

"I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again."

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Amber Hurdle

"In this film, we took a helicopter up and showed London as a vista, which is not very often done."

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Amber Hurdle

"It was a fine cast and lots of fun to make, but they did the damn thing on the cheap. The backdrops had holes in them, and it was shot on the worst film stock."

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Amber Hurdle

"Daffy, of course, wants to go on the journey with him but the studio decides they want Daffy back, so Bugs and a young studio executive heroine have to go out and try to bring him back."

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Amber Hurdle

"I didn't so much choose the film as director Claire Denis chose me."

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Amber Hurdle

"There are a thousand weird untold stories in the Australian film industry, this has been one of them."

Explore more quotes by Anne Dudley

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Anne Dudley
"We all shared an admiration of Debussy both as a musician and as sort of an icon for the 20th century. It seemed like an interesting idea to go right back 100 years to find the source of some new ideas now."
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Anne Dudley
"You know, nobody eats in England. Three or four pints of English beer a night fills you. I can't say I'm very impressed with the food in America. it's all sort of bland. Like turkey sandwiches."
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Anne Dudley
"It's really the sound of the voices, the sound of the words, the sound of the sound that we're interested in."
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Anne Dudley
"I wanted to make a classical piece that was actually designed to be a CD, not designed for performance."
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Anne Dudley
"I think that music has an endless life."
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Anne Dudley
"I always think it's important to choose your initial theme very carefully because you're going to be married to it for a long time. You might have to generate an hour's worth of music from a very short, little piece of theme."
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Anne Dudley
"Usually one or two things happen: Either you have an idea straightaway - the sort of sound that you want or the instrumentation or one particular sound that you want to feature - or you don't."
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Anne Dudley
"Composers are always going back to the past."
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Anne Dudley
"Obviously in Art of Noise, I'm just part of the group, and when I do film scores, it's always in collaboration with the director and other people involved."
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Anne Dudley
"My favorite work is The Full Monty because I got an Oscar for it. But it was really hard work at the time. Sometimes comedy is not a bundle of laughs to actually do."
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