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"Film scores are often based on short themes, and it helps if you've got some way of developing these themes and making them sometimes last 4 minutes and sometimes last 40 seconds. One ends up doing it subconsciously."
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"When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it."
Film,
"I did a film about the Zodiac Killer. It turned out well."
"Directing a film was something I was yearning to do. I always wanted to see if I had the capacity to be a good storyteller."
"I'm so critical of myself. I'm actually really, really proud of the film. It's really cool to see a movie at Sundance because everybody is so supportive."
Film,
"Film gives us a second chance at a first impression."
"You are probably right when you say that I could get a role in any producer's film if I just asked."
"My focus never wavered; I never accepted the film was not going to be finished."
"I saw part of The Singing Detective on TV in New York. I said, Something is going on here."
Explore more quotes by Anne Dudley
"I always think it's important to choose your initial theme very carefully because you're going to be married to it for a long time. You might have to generate an hour's worth of music from a very short, little piece of theme."
"It's really the sound of the voices, the sound of the words, the sound of the sound that we're interested in."
"We all shared an admiration of Debussy both as a musician and as sort of an icon for the 20th century. It seemed like an interesting idea to go right back 100 years to find the source of some new ideas now."
"You know, nobody eats in England. Three or four pints of English beer a night fills you. I can't say I'm very impressed with the food in America. it's all sort of bland. Like turkey sandwiches."
"My favorite work is The Full Monty because I got an Oscar for it. But it was really hard work at the time. Sometimes comedy is not a bundle of laughs to actually do."
"Obviously in Art of Noise, I'm just part of the group, and when I do film scores, it's always in collaboration with the director and other people involved."
"I wanted to make a classical piece that was actually designed to be a CD, not designed for performance."
"Usually one or two things happen: Either you have an idea straightaway - the sort of sound that you want or the instrumentation or one particular sound that you want to feature - or you don't."
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