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"Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built."
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"Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us."

"If you put enough closets together, you have enough space for a room. If you put enough rooms together, you have enough room for a house. If you put enough houses together, you have space for a town, then a city, then a nation, then a world."

"It's my goal to make a building as immaterial as possible. Architecture is a very material thing. It takes a lot of resources, so why not eliminate what you don't need as long as you're able to achieve the same result?"

"The American attitude towards efficiency and execution should always underlie architecture."

"I would fix other people's lines if they asked me on occasion. The hard part of writing is the architecture of it, getting the story and structuring it. Not the tweaking of lines."

"Today's developer is a poor substitute for the committed entrepreneur of the last century for whom the work of architecture represented a chance to celebrate the worth of his enterprise."

"There are no rules of architecture for a castle in the clouds."

"Architecture has recorded the great ideas of the human race. Not only every religious symbol, but every human thought has its page in that vast book."

"Rather than wait to see what the day or future holds, why not design and plan the future you want to experience?"

"The bungalow had more to do with how Americans live today than any other building that has gone remotely by the name of architecture in our history."
Explore more quotes by Daniel Libeskind

"Larry wanted us to reposition the tower. We wouldn't, and won't. He's been holding back our fees. We want to get paid. And that's it. It'll get solved and we'll carry on with planning Ground Zero."

"And then, build a bustling wonderful city of the 21st century, with a restoration of a spectacular skyline, which Manhattan, of course, needs. So, that is really the design as a whole."

"The foreign press seems obsessed with the Freedom Tower, as if it was the only thing going on here. In fact, we're trying to keep a huge juggling act in balance, with the tower as just one of the many balls in play."

"I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings."

"Well, I didn't want to have the reminder sort of in the sky, so that people would forever look at it. I wanted to have - really to create a city from the bottom up. From that foundation, which held, from the democratic power of what the site really is."

"It's about how to bring together the seemingly contradictory aspects of the memorial, which is about a tragedy and how it changed the world, but also about creating a vital and beautiful city of the 21st century."
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