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Patrick Marber

"I'm a happily married man and I think to get married you have to be optimistic."

Man,
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"I'm a happily married man and I think to get married you have to be optimistic."

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Amber Hurdle

"It is better to risk saving a guilty man than to condemn an innocent one."

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Amber Hurdle

"Satire lies about literary men while they live and eulogy lies about them when they die."

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Amber Hurdle

"Time, which alone makes the reputation of men, ends by making their defects respectable."

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Amber Hurdle

"All men are born with a nose and ten fingers, but no one was born with a knowledge of God."

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Amber Hurdle

"A man does not have to be an angel in order to be saint."

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Amber Hurdle

"Women prefer to talk in twos, while men prefer to talk in threes."

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Amber Hurdle

"The ordinary scientific man is strictly a sentimentalist. He is a sentimentalist in this essential sense, that he is soaked and swept away by mere associations."

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Amber Hurdle

"Men feel that cruelty to the poor is a kind of cruelty to animals. They never feel that it is an injustice to equals; nay it is treachery to comrades."

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Amber Hurdle

"I teach that all men are mad."

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Amber Hurdle

"The man is either mad, or he is making verses."

Man,

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Patrick Marber
"But I'm the sort of person who, if certain structures topple, it could all go horribly wrong."
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Patrick Marber
"Theatre is how I first encountered art on any level."
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Patrick Marber
"I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally."
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Patrick Marber
"I like them all - I don't always approve. I see myself as a sort of benevolent uncle to these characters, and I can see why they do what they do; sometimes they make some mistakes, but at heart I think they're decent."
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Patrick Marber
"The trite answer is that everything is true but none of it happened. It is emotionally true, but the events, the plotting, the narrative, isn't true of my life, though I've experienced most of the emotions experienced by the characters in the play."
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Patrick Marber
"Always when I directed the play, I was always trying to cast people not who were necessarily like the characters, but people who I felt had the essential component that the character had, some kind of soul for it."
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Patrick Marber
"I hoped the dramatic power of the play would rest on that tension between elegant structure - the underlying plan is that you see the first and last meeting of every couple in the play - and inelegant emotion."
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Patrick Marber
"I used to go with my parents and loved it, I was in school plays, and I started reading plays before I started reading novels. I'll defend it to the hilt. When theatre is good it is fabulous."
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Patrick Marber
"I know it's a film and all of that, and it's a Hollywood film, but it kind of feels like this sometimes, when you're in pain and it hurts, and you're desperate. Or you are about to cross some moral line and it's so seductive and you just do... and all that."
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Patrick Marber
"But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make."
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