John Hench | "Then, you were supposed to discover the city, where they were. But because somebody like skeletons. And that they discovered that they were at a cheap price, we used too many skeletons all over the place, and the public got the wrong message."

"Then, you were supposed to discover the city, where they were. But because somebody like skeletons. And that they discovered that they were at a cheap price, we used too many skeletons all over the place, and the public got the wrong message."

John Hench, American Artist

Public, Wrong

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"Then, you were supposed to discover the city, where they were. But because somebody like skeletons. And that they discovered that they were at a cheap price, we used too many skeletons all over the place, and the public got the wrong message."

"Everybody who does anything for the public can be criticized. There's always someone who doesn't like it."

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"There are two golden rules for an orchestra: start together and finish together. The public doesn't give a damn what goes on in between."

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"The public are not stupid."

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"Give the public what they want. What you want is unimportant."

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"A private sin is not so prejudicial in this world, as a public indecency."

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"The public seldom forgive twice."

Author Name

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"The public can only be really moved by what is genuine."

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"If ask 100 Arkansans about the phrase, 'the public option,' or 'a public option,' you'll get 100 different impressions about what that means."

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"The public is a ferocious beast; one must either chain it or flee from it."

Author Name

Personal Development

"Sometimes that mantle is hard to adjust to wearing but we are at a stage that we are comfortable with it and we recognize how we are perceived and how the real core individual that each one of us has apart from the facade that the public believes that we are."

Author Name

Personal Development

"The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'"

Colors

"Nobody now is going from department to another department. Only Walt did that. I was very fond of him, really."

Now

"Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure. I had great satisfaction in doing that."

Colors

"I don't think that was too successful. Because I always thought that the two of them should have been more separate. Also I had planned the monorail station to be in the center. So that one day you would have go to World Showcase and then the other day to Future World."

Thought

"Big cities are chaotic. And chaos for humans - who have experience from their ancestors - is the last step before conflict. So, in the park, every kind of visual contradiction has been eliminated."

Experience

"I suppose that I was a kind of consultant for taste. Is it good taste? Or bad taste? I had an attention to detail, to what would tell best the story. Because many people get excited about the work and drift off from the story."

Work

"We've achieved this feeling, for instance, with the colors. The colors in the park are harmonious with each other, not like in big cities where they don't."

Art

"I have wanted to be a fine artist painter, and I reached the point in art schools were I'd like to understand more about images and how images communicate information to people. And I was not getting very far in that from my professors."

Art

"Walt put everything he knew about communication with images into the park, so it was very familiar."

Communication

"We don't have too much ritual in our life anymore. And these life symbols which people rely on to keep their feeling of well being, that life is not too bad after all are required more and more."

Life

4

Standard

Customized

More

"Everybody who does anything for the public can be criticized. There's always someone who doesn't like it."

Author Name

Personal Development

"There are two golden rules for an orchestra: start together and finish together. The public doesn't give a damn what goes on in between."

Author Name

Personal Development

"The public are not stupid."

Author Name

Personal Development

"Give the public what they want. What you want is unimportant."

Author Name

Personal Development

"A private sin is not so prejudicial in this world, as a public indecency."

Author Name

Personal Development

"The public seldom forgive twice."

Author Name

Personal Development

"The public can only be really moved by what is genuine."

Author Name

Personal Development

"If ask 100 Arkansans about the phrase, 'the public option,' or 'a public option,' you'll get 100 different impressions about what that means."

Author Name

Personal Development

"The public is a ferocious beast; one must either chain it or flee from it."

Author Name

Personal Development

"Sometimes that mantle is hard to adjust to wearing but we are at a stage that we are comfortable with it and we recognize how we are perceived and how the real core individual that each one of us has apart from the facade that the public believes that we are."

Author Name

Personal Development

More

"The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'"

Colors

"Nobody now is going from department to another department. Only Walt did that. I was very fond of him, really."

Now

"Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure. I had great satisfaction in doing that."

Colors

"I don't think that was too successful. Because I always thought that the two of them should have been more separate. Also I had planned the monorail station to be in the center. So that one day you would have go to World Showcase and then the other day to Future World."

Thought

"Big cities are chaotic. And chaos for humans - who have experience from their ancestors - is the last step before conflict. So, in the park, every kind of visual contradiction has been eliminated."

Experience

"I suppose that I was a kind of consultant for taste. Is it good taste? Or bad taste? I had an attention to detail, to what would tell best the story. Because many people get excited about the work and drift off from the story."

Work

"We've achieved this feeling, for instance, with the colors. The colors in the park are harmonious with each other, not like in big cities where they don't."

Art

"I have wanted to be a fine artist painter, and I reached the point in art schools were I'd like to understand more about images and how images communicate information to people. And I was not getting very far in that from my professors."

Art

"Walt put everything he knew about communication with images into the park, so it was very familiar."

Communication

"We don't have too much ritual in our life anymore. And these life symbols which people rely on to keep their feeling of well being, that life is not too bad after all are required more and more."

Life