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A. E. van Vogt

"It's difficult for me to feel that a solid page without the breakups of paragraphs can be interesting. I break mine up perhaps sooner than I should in terms of the usage of the English language."

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"It's difficult for me to feel that a solid page without the breakups of paragraphs can be interesting. I break mine up perhaps sooner than I should in terms of the usage of the English language."

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Amber Hurdle

"You spill a lot of beans in historical fiction. Crime fiction is about spilling no beans at all. You spill the least beans you possibly can. So because I had already written historical fiction before I was really good at the spilling beans section, but the new skill I had to learn when I was writing Brighton Belle was difficult. I had to avoid the equivalent of shouting, "this character's a murderer! Look who did it!."

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Amber Hurdle

"Don't say it was delightful; make us say delightful when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers Please will you do the job for me."

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Amber Hurdle

"Show me a hero and I'll write you a tragedy."

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Amber Hurdle

"We write, edit, and rewrite the story of our own life employing descriptive words, metaphors, and symbols. Our lives are full of symbols including those supplied by nature and religion, which touch upon the mystical and spiritual aspects of life. Symbols inspire enduring hope by formulating idealist expectations."

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Amber Hurdle

"I'm a fairly undisciplined writer."

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Amber Hurdle

"Writers aren't exactly people, they're a bunch of people trying to be one person."

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Amber Hurdle

"My fellow Americans, ask not what your country can do for you, ask what you can do for your country."

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Amber Hurdle

"Pour your heart onto the page."

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Amber Hurdle

"One of my rules is never explain. A writer is a lot like a magician, if you explain how the trick works then a lot of the magic turns mundane."

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Amber Hurdle

"Twofold misjudgement. - The misfortune suffered by clear-minded and easily understood writers is that they are taken for shallow and thus little effort is expended on reading them: and the good fortune that attends the obscure is that the reader toils at them and ascribes to them the pleasure he has in fact gained from his own zeal."

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A. E. van Vogt
"Recruiting Station was a story that came as the result of many anxious awakenings during many nights."
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A. E. van Vogt
"But, somewhere in there, I did have the thought that this really fits in with my thinking about what I wanted to do; with what has to be done by a writer in order to stay alive as a writer."
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A. E. van Vogt
"It came about as follows: over the years when I was involved in dianetics, I wrote the beginnings of many stories. I would get an idea, and then write the beginning, and then never touch it again."
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A. E. van Vogt
"In a sense, there's a great truth to that, but, also I was a great reader."
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A. E. van Vogt
"You have to remember that I was a bright but simple fellow from Canada who seldom, if ever, met another writer, and then only a so-called literary type that occasionally sold a story and meanwhile worked in an office for a living."
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A. E. van Vogt
"Well, first of all, going off with dianetics was based upon a thought of mine."
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A. E. van Vogt
"Chum was a British boy's weekly which, at the end of the year was bound into a single huge book; and the following Christmas parents bought it as Christmas presents for male children."
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A. E. van Vogt
"My theory was that what I had to do was make a study of human behavior."
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A. E. van Vogt
"I don't recall having any self-awareness about the intricacy of my stories."
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A. E. van Vogt
"I first read science fiction in the old British Chum annual when I was about 12 years old."
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